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Becoming Modern
"It is one thing to report a news story and another to use the same material in one's art - and Cather did intend that her literary works become "art" and that they achieve lasting fame. This volume details how Cather came to transform the office routine of memos and deadlines, linotypes and the business trip, into the artistry of her early stories, poems, biographies, and novels."--BOOK JACKET.
Artifacts and Illuminations
Loren Eiseley (1907–77) is one of the most important American nature writers of the twentieth century and an admired practitioner of creative nonfiction. A native of Lincoln, Nebraska, Eiseley was a professor of anthropology and a prolific writer and poet who worked to bring an understanding of science to the general public, incorporating religion, philosophy, and science into his explorations of the human mind and the passage of time. As a writer who bridged the sciences and the humanities, Eiseley is a challenge for scholars locked into rigid disciplinary boundaries. Artifacts and Illuminations, the first full-length collection of critical essays on the writing of Eiseley, situates his w...
Willa Cather and Aestheticism
In this collection of essays, contributors investigate the various connections between Willa Cather’s fiction and her aesthetic beliefs and practices. Including multiple perspectives and critical approaches—derived from the Aesthetic Movement, the visual arts, modernism, and the relationship between art and religion—this collection will increase our understanding of Cather’s aesthetic and lead to a better comprehension of her work and her life.
Encyclopedia of the American Novel
Praise for the print edition:" ... no other reference work on American fiction brings together such an array of authors and texts as this.
The Downs Family of Virginia, Ohio & Indiana
John Downs (ca. 1745-1805) served in the Revolutionary War. About 1799, the family migrated from Virginia to Chillicothe, Ohio. Descendants and relatives lived also in Indiana, Ohio, Iowa, New Jersey, Minnesota, California and elsewhere.
From Society Page to Front Page
Eileen M. Wirth never set out to be a groundbreaker for women in journalism, but if she wanted to report on social issues instead of society news, she had no alternative. Her years as one of the first women reporters at the Omaha World-Herald, covering gender barriers even as she broke a few herself, give Wirth an especially apt perspective on the women profiled in this book: those Nebraskans who, over a hundred years, challenged traditional feminine roles in journalism and subtly but surely changed the world. The book features remarkable women journalists who worked in every venue, from rural weeklies to TV. They fought for the vote, better working conditions for immigrants, and food safety at the turn of the century. They covered wars from the Russian Revolution to Vietnam. They were White House reporters and minority journalists who crusaded for civil rights. Though Willa Cather may be the only household name among them, all are memorable, their stories affording a firsthand look into the history of journalism and social change.
Cherokee DNA Studies II
Phase III of DNA Consultants' Cherokee DNA Studies adds more than fifty new participants to what has become a classic project. They'd all been told there was no way they could be Indian given their DNA haplotype or mother's direct line. This book underlines the unavoidable conclusion that most "Indian" lineages in Eastern North America originally came across the Atlantic Ocean, not over any land-bridge from Asia. Update your priors with this sweeping attack on "big box" companies and know-it-all experts. Includes historical Cherokee photographs, genealogies, graphs, charts, references, index and raw data.
Fictions of Western American Domesticity
This work provides a compelling explanation of something that has bedeviled a number of feminist scholars: Why did popular authors like Edna Ferber continue to write conventional fiction while living lives that were far from conventional? Amanda J. Zink argues that white writers like Ferber and Willa Cather avoided the subject of their own domestic labor by writing about the performance of domestic labor by "others," showing that American print culture, both in novels and through advertisements, moved away from portraying women as angels in the house and instead sought to persuade other women to be angels in their houses. Zink further explores lesser-known works such as Mexican American cookbooks and essays in Indian boarding school magazines to show how women writers "dialoging domesticity" exemplify the cross-cultural encounters between "colonial domesticity" and "sovereign domesticity." By situating these interpretations of literature within their historical contexts, Zink shows how these writers championed and challenged the ideology of domesticity.
