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Figuring Racism in Medieval Christianity
M. Lindsay Kaplan expands the study of the history of racism through an analysis of the medieval Christian concept of Jewish servitude. Developed through exegetical readings of Biblical figures in canon law, this discourse produces a racial status of hereditary inferiority that justifies the subordination not only of Jews, but of Muslims and Africans as well.
Figuring Racism in Medieval Christianity
In Figuring Racism in Medieval Christianity, M. Lindsay Kaplan expands the study of the history of racism through an analysis of the Christian concept of Jewish hereditary inferiority. Imagined as a figural slavery, this idea anticipates modern racial ideologies in creating a status of permanent, inherent subordination. Unlike other studies of early forms of racism, this book places theological discourses at the center of its analysis. It traces an intellectual history of the Christian doctrine of servitus Judaeorum, or Jewish enslavement, imposed as punishment for the crucifixion. This concept of hereditary inferiority, formulated in patristic and medieval exegesis through the figures of Ca...
The Culture of Slander in Early Modern England
Slander constitutes a central social, legal and literary concern of early modern England. M. Lindsay Kaplan reveals it to be an effective, if unstable, means of repudiating one's opposition, and shows how it was deployed by rulers and poets including Spenser, Jonson and Shakespeare. Her study challenges recent claims that the state controlled poets' criticisms by means of censorship, arguing instead that power relations between poets and the state are more accurately described in terms of the reversible charge of slander.
Feminist Readings of Early Modern Culture
How did the events of the early modern period affect the way gender and the self were represented? This collection of essays attempts to respond to this question by analysing a wide spectrum of cultural concerns - humanism, technology, science, law, anatomy, literacy, domesticity, colonialism, erotic practices, and the theatre - in order to delineate the history of subjectivity and its relationship with the postmodern fragmented subject. The scope of this analysis expands the terrain explored by feminist theory, while its feminist focus reveals that the subject is always gendered - although the terms in which gender is conceived and represented change across history. Feminist Readings of Early Modern Culture not only explores the representation of gendered subjects, but in its commitment to balancing the productive tensions of methodological diversity, also speaks to contemporary challenges facing feminism.
The Cambridge Companion to Shakespeare and Religion
A wide-ranging yet accessible investigation into the importance of religion in Shakespeare's works, from a team of eminent international scholars.
The Merchant of Venice: The State of Play
The Merchant of Venice is one of Shakespeare's most controversial plays, whose elements resonate even more profoundly in the current climate of rising racism, antisemitism, Islamophobia, anti-immigrant sentiment, queerphobia and right-wing nationalism. This collection of essays offers a 'freeze frame' that showcases a range of current debates and ideas surrounding the play. Each chapter has been carefully selected for its originality and relevance to your needs. Essays offer new perspectives that provide an up-to-date understanding of what's exciting and challenging about the play. Key themes and topics include: · Race and religion · Gender and sexuality · Philosophy · Animal studies · Adaptations and performance history
Staging Slander and Gender in Early Modern England
This book examines slander in early modern England as a gendered and theatrical cultural practice. Habermann explores oral defamation – the negative fashioning of others – in language and rhetoric, social interaction and the law, literature and authorship as well as religion, subjectivity and the body. Since the 'slander triangle', which requires an accuser, an audience and a victim, is inherently theatrical, the dramatic representation of slander forms a central concern of the study. Focusing on sexual slander in particular, Habermann shows how femininity was fashioned between praise and slander, and how the 'slandered heroine' emerged as an influential fantasy of femininity – a linguistic, legal and social mechanism that lends itself to masculine self-fashioning through the display of eloquence but that is also subject to resignification by female authors. As theatre and the law mutually influence each other, drama offers a poetic inquiry into the gendered subject and the social life of the community.
Truth of the Divine
Sequel to instant New York Times bestseller Axiom's End, in Truth of the Divine, Lindsay Ellis deepens her exploration of a world faced with the presence of extra terrestrial intelligence. The human race is at a crossroads; we know that we are not alone, but details about the alien presence on Earth are still being withheld from the public. As the political climate becomes more unstable, the world is forced to consider the ramifications of granting human rights to non-human persons. How do you define "person" in the first place? Cora Sabino not only serves as the full time communication intermediary between the alien entity Ampersand and his government chaperones, but also shares a mysteriou...
Dark Territory
Originally published in hardcover in 2016 by Simon & Schuster.
Blood Relations
In Blood Relations' Janet Adelman confronts her resistance to The Merchant of Venice as both a critic and a Jew. With her distinctive psychological acumen' she argues that Shakespeares play frames the uneasy relationship between Christian and Jew specifically in familial terms in order to recapitulate the vexed familial relationship between Christianity and Judaism. Adelman locates the promise - threat - of Jewish conversion as a particular site of tension in the play. Drawing on a variety of cultural materials' she demonstrates that' despite the triumph of its Christians' The Merchant of Venice reflects Christian anxiety and guilt about its simultaneous dependence on and disavowal of Judais...
