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Tribal leaders in opposition to the government, the corruption of occupation, society torn apart by shifting political loyalties... this is the background to one woman's powerful story. A Persian Requiem is a powerful and evocative novel. Set in the southern Persian town of Shiraz in the last years of World War II, when the British army occupied the south of Persia, the novel chronicles the life of Zari, a traditional, anxious and superstitious woman whose husband, sef, is an idealistic feudal landlord. The occupying army upsets the balance of traditional life and throws the local people into conflict. sef is anxious to protect those who depend upon him and will stop at nothing to do so. His...
In this book, Prof. M.R. Ghanoonparvar explores the differences between the narrative strategies of Iranian filmmakers and modernist Persian fiction writers. While most published studies on Iranian cinema and Persian fiction focus either on literature or on film separately and only address the topic of the present study in passing, in this book, the author examines the relationship, similarities, and differences between these two modes of storytelling. After an overview of modern Persian novels, short stories, and Iranian cinema, various chapters address issues related to the art of storytelling. In a chapter entitled Fiction in Film, the author focuses on filmmakers adaptations of modern Pe...
Women writers occupy prominent positions in late 20th century Iranian literature, despite the increased legal and cultural restrictions placed upon women since the 1978-1979 Islamic Revolution. One of these writers is Moniru Ravanipur, author of the critically acclaimed The Drowned and Heart of Steel. Satan's Stones is the first English translation of her 1991 short story collection Sangha-ye Sheytan. Often set in the remote regions of Iran, these stories explore many facets of contemporary Iranian life, particularly the ever-shifting relations between women and men. Their bold literary experimentation marks a new style in Persian fiction akin to "magical realism." Reports from Iran indicated that Satan's Stones had been banned there by government authorities. While its frank explorations of Iranian society may have offended Islamic leaders, they offer Western readers fresh perspectives on Iranian culture from one of the country's most distinguished writers.
"Reading Chubak is an examination of the life and works of Sadeq Chubak, one of the most prominent Iranian novelists and short story writers of the 20th century. A landmark in the development of modern Persian short stories and novels, Chubak's work has had a profound influence on the ensuing generations of writers. With his innovations in the language and structure of his stories, Chubak was considered an experimentalist and pioneer in modern Persian prose fiction. Although Chubak's characters are palpably Iranian, in an Iranian social milleu, his stories constitute a microcosmic reflection of the universe, as is the case with any great writer. In fact, his stories have been translated into many languages. In this book the author provides a descriptive analysis of all Chubak's short stories, novels, and plays including a detailed literary examination of The Patient Stone, his magnum opus, within the context of Iranian socio-political history and literature. Furthermore, he examines the life, character, and personality of this important literary artist in the light of his work and also in literary, extra-literary, biographical, social, and political contexts."
The celebrated and beloved fourteenth-century Persian poet Hafez continues to play an essential role in the lives of Iranians today. For centuries, scholars have studied his work, exploringboth his life and his deeply moving poetry of love, spirituality, and protest. Yet, Shahrokh Meskoob is one of the first scholars to take an innovative approach to Hafez’s poetry. Meskoob goes beyond a linguistic and rhetorical analysis of Hafez’s poetry in the Divan to access the interior thoughts of the poet and summon his spirit in the process of understanding Hafez’s mysticism.
Persian Cuisine: Traditional, Regional, and Modern Foods is a user-friendly cookbook that belongs in the kitchen, not on the coffee table! In keeping with this philosophy, the pictures in the volume for the most part come from the kitchens and tables of average users of these recipes, not from a professional studio using enhanced photography. That means that the user should be able to create the same end products seen in the photographs.
he Drowned is the translation of Moniro Ravanipour's first novel, Ahl-e Gharq (1989), which brought her overnight nationwide recognition in Iran a decade after the tumultuous Islamic Revolution and a year after the devastating Iran-Iraq War. In general, in this novel, Ravanipour taps the rich culture of southwestern Iran, the region most affected by the destruction of the war, and more specifically, that of Jofreh, the village of her birth, and its inhabitants' lives, customs, beliefs, superstitions, and struggles for survival.
Literary Translation in Modern Iran: A sociological study is the first comprehensive study of literary translation in modern Iran, covering the period from the late 19th century up to the present day. By drawing on Pierre BourdieuN's sociology of culture, this work investigates the people behind the selection, translation, and production of novels from English into Persian. The choice of novels such as Morier's The Adventures of Hajji Baba of Ispahan, Austen's Pride and Prejudice, and Vargas Llosa's The War of the End of the World provides insights into who decides upon titles for translation, motivations of translators and publishers, and the context in which such decisions are made.The aut...