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In a Persian Mirror
The extreme anti-Western actions and attitudes of Iranians in the 1980s astonished and dismayed the West, which has characterized the Iranian positions as irrational and inexplicable. In this groundbreaking study of images of the West in Iranian literature, however, M. R. Ghanoonparvar reveals that these attitudes did not develop suddenly or inexplicably but rather evolved over more than two centuries of Persian-Western contact. Notable among the authors whose works Ghanoonparvar discusses are Sadeq Hedayat, M. A. Jamalzadeh, Hushang Golshiri, Gholamhoseyn Sa'edi, Simin Daneshvar, Moniru Ravanipur, Sadeq Chubak, and Jalal Al-e Ahmad. This survey significantly illuminates the sources of Iranian attitudes toward the West and offers many surprising discoveries for Western readers, not least of which is the fact that Iranians have often found Westerners to be as enigmatic and incomprehensible as we have believed them to be.
Persian Cuisine
Persian Cuisine: Traditional, Regional, and Modern Foods is a user-friendly cookbook that belongs in the kitchen, not on the coffee table! In keeping with this philosophy, the pictures in the volume for the most part come from the kitchens and tables of average users of these recipes, not from a professional studio using enhanced photography. That means that the user should be able to create the same end products seen in the photographs.
A Persian Requiem
Tribal leaders in opposition to the government, the corruption of occupation, society torn apart by shifting political loyalties... this is the background to one woman's powerful story. A Persian Requiem is a powerful and evocative novel. Set in the southern Persian town of Shiraz in the last years of World War II, when the British army occupied the south of Persia, the novel chronicles the life of Zari, a traditional, anxious and superstitious woman whose husband, sef, is an idealistic feudal landlord. The occupying army upsets the balance of traditional life and throws the local people into conflict. sef is anxious to protect those who depend upon him and will stop at nothing to do so. His...
Iranian Film and Persian Fiction
In this book, Prof. M.R. Ghanoonparvar explores the differences between the narrative strategies of Iranian filmmakers and modernist Persian fiction writers. While most published studies on Iranian cinema and Persian fiction focus either on literature or on film separately and only address the topic of the present study in passing, in this book, the author examines the relationship, similarities, and differences between these two modes of storytelling. After an overview of modern Persian novels, short stories, and Iranian cinema, various chapters address issues related to the art of storytelling. In a chapter entitled Fiction in Film, the author focuses on filmmakers adaptations of modern Pe...
Translating the Garden
"In Translating the Garden, Ghanoonparvar offers readers an "over the shoulder" view of himself in the actual process of translating Shahrokh Meskub's Goftogu dar Bagh (Dialogue in the Garden) from Persian into English. This short philosophical work uses a conversation between a writer and a painter to delve into the Persian psyche and explore Persian perceptions of art, literature, nature, identity, spirituality, and the world in general. As he translates the text, Ghanoonparvar illustrates and discusses the myriad decisions that a literary translator faces, from word choices to the problems of conveying cultural concepts and deciphering authorial intent. He also compares some of his translated passages with those of other translators to highlight the uniqueness of each act of translation. The complete English translation of Dialogue in the Garden rounds out the volume."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
SUPERSTITIONS
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In the Alley of the Friend
The celebrated and beloved fourteenth-century Persian poet Hafez continues to play an essential role in the lives of Iranians today. For centuries, scholars have studied his work, exploringboth his life and his deeply moving poetry of love, spirituality, and protest. Yet, Shahrokh Meskoob is one of the first scholars to take an innovative approach to Hafez’s poetry. Meskoob goes beyond a linguistic and rhetorical analysis of Hafez’s poetry in the Divan to access the interior thoughts of the poet and summon his spirit in the process of understanding Hafez’s mysticism.
Fortune Told in Blood
Amidst the Iran-Iraq War, two Iraqi soldiers find themselves stationed on an isolated mountain peak with orders to observe the enemy's troop movements. As they watch the brutal destruction brought about by the intelligence they have gathered, their loyalty to their country and each other is tested. As in all wars, both Iraq and Iran demonized each other as the war raged during the 1980s. In Fortune Told in Blood, written during the mid-1990s as Iran was recovering, Davud Ghaffarzadegan labors to undo the damage caused by this process. The author, an Iranian, writes from the Iraqi perspective, thus humanizing the enemy and challenging his reader to do so as well. A deft and economical storyteller, Davud Ghaffarzadegan has received considerable critical and popular acclaim in Iran, though his work has never before been translated into English. M. R. Ghanoonparvar's exquisite translation remedies this oversight and expands the body of literature on the Iran-Iraq War available to the West.
Flight Into Darkness
Shokat's extensive biography of Bakhtiar is a significant contribution to the political history of Iran after WWII. Bakhtiar's long presence on Iran's political stage, as a prominent member of the opposition to the Shah, his brief tenure as the last prime minister of Iran before the establishment of the Islamic Republic, and his subsequent high-profile opposition in exile, and his assassination in 1991 by the agents of that regime, provide an extraordinary lens through which to examine Iranian politics and society during that period. Shokat has consulted an extensive range of primary and secondary sources, many of them previously unexamined, in Persian, English, French, and German, in various national archives. He has also interviewed various political personalities including Bakhtiar's relatives and associates. This unprecedented account of Bakhtiar's life and the changing Iranian political milieus he lived through is a work of immense historical achievement and significance.
