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Achaemenid Impact in the Black Sea
For 200 years, from the second half of the sixth century to the decades before 330 BC, the Persian dynasty of the Achaemenids ruled an enormous empire stretching from the Mediterranean Sea to Afghanistan and India. The Great Kings Dareios I and Xerxes I even tried to conquer Greece and the northern Black Sea territories. Although they failed, parts of Thrace did become part of their dominion for a short period. The question always rises as to why the Great Kings were interested in the western and northern Pontic zones. In contrast to some of the other satrapies, such as Egypt, Phoenicia and Syria, the Black Sea had no prosperous cities or provinces to offer. One possible answer might be the ...
The Antique Bronzes
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Charis
Consists of 20 chapters in 2 parts; pt. 1 contains chapters on Aegean prehistory and the East and pt. 2 contains chapters on classical Greece, Etruria, and Rome.
Achaemenid Culture and Local Traditions in Anatolia, Southern Caucasus and Iran
This book contains articles concerning relationship between the 'imperial' culture of the Achaemenids and local traditions, including a publication of the unique painting from Tatarl? in Western Anatolia and the results of recent excavations in the Southern Caucasus and Iran. Originally published as issue 3-4 of Volume 13 (2007) of Brill's journal "Ancient Civilizations from Scythia to Siberia," For more details on this journal, please click here.
Greco-Scythian Art and the Birth of Eurasia
Drawing on evidence from archaeology, art history, and textual sources to contextualize Greco-Scythian metalwork in ancient society, Meyer offers unique introductions to the archaeology of Scythia and its ties to Asia and classical Greece, modern museum and visual culture studies, and the intellectual history of classics in Russia and the West.
Greek Bronze Statuary
Freestanding bronze statuary was the primary mode of artistic expression in classical Greece, yet it was not until the nineteenth century that any original large statues of that period were unearthed. Although ancient literature has preserved information about the most famous Greek sculptors who worked in bronze, our perception of the art has been limited by the small number of extant originals from the sixth and fifth centuries B.C. there remain fewer than ten large cast bronze statues, a like number of bronze heads, an assortment of fragments, and some clay molds for casting. Carol Mattusch enriches our knowledge of this beloved but elusive art form in a comprehensive study of the style and techniques of bronze statuary during the Archaic (6th century B.C.) and Classical (5th century B.C.) periods.
The Treasure of Troy
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