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Polish Avant-Garde in Berlin
Polish avant-garde artists in Berlin - Modernist paradigm in the art - Pre- and post- Second World War period - Migration experience - Relations and identity programmes of artists and groups - Berlin boheme - Gender in Polish art.
Blood
The exhibition has been inspired by the exhibition at Jewish Museum London dedicated to the meaning of blood in Jewish culture. The Polish edition will develop the threads which emerged in London, enriching them with new ideas and objects. 0The exhibition will expand our knowledge on the question of blood in its religious, historical and social context. Referring to both tradition and modernity, the exhibition will aim at presenting facts and challenging stereotypes, especially those related to Christian-Jewish relations.0The exhibition narrative will be entwined with contemporary artworks by i.a. Anish Kapoor, Piotr Uklanski, Moshe Gershuni, Bogna Burska, Dorota Buczkowska and Eliza Proszczuk, including several works created especially for the exhibition. These artworks visualize, create contexts, pose questions and synthetize. They provoke reflection on the exhibition themes and serve as a commentary which broadens the selected issues using the language of art.00Exhibition: POLIN Museum of the History of Polish Jews, Warsaw, Poland (13.10.2017-29.01.2018).
Polish Jewish Culture Beyond the Capital
Polish Jewish Culture beyond the Capital: Centering the Periphery is a path-breaking exploration of the diversity and vitality of urban Jewish identity and culture in Polish lands from the second half of the nineteenth century to the outbreak of the Second World War (1899–1939). In this multidisciplinary essay collection, a cohort of international scholars provides an integrated history of the arts and humanities in Poland by illuminating the complex roles Jews in urban centers other than Warsaw played in the creation of Polish and Polish Jewish culture. Each essay presents readers with the extraordinary production and consumption of culture by Polish Jews in literature, film, cabaret, theater, the visual arts, architecture, and music. They show how this process was defined by a reciprocal cultural exchange that flourished between cities at the periphery—from Lwów and Wilno to Kraków and Łódź—and international centers like Warsaw, thereby illuminating the place of Polish Jews within urban European cultures. Companion website (https://polishjewishmusic.iu.edu)
Traces of a Jewish Artist
Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888–1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit’s life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich ...
Blood Libel
Drawing on sources in eight countries and ten languages, Magda Teter tells the history of the antisemitic blood libel myth, whose long shadow extends from premodern monastic chronicles to Facebook. The vocabulary and images that crystallized and spread with the invention of the printing press are still with us, as are their pernicious consequences.
Charlottengrad
As many as half a million Russians lived in Germany in the 1920s, most of them in Berlin, clustered in and around the Charlottenburg neighborhood to such a degree that it became known as “Charlottengrad.” Traditionally, the Russian émigré community has been understood as one of exiles aligned with Imperial Russia and hostile to the Bolshevik Revolution and the Soviet government that followed. However, Charlottengrad embodied a full range of personal and political positions vis-à-vis the Soviet project, from enthusiastic loyalty to questioning ambivalence and pessimistic alienation. By closely examining the intellectual output of Charlottengrad, Roman Utkin explores how community membe...
Reclaiming Biblical Heroines
This book examines the iconography of Judith, Esther, and the Shulamite in the last decades of the nineteenth and the first two decades of the twentieth century in the works of the Polish-Jewish artists.
Breslau / Wrocław 1933–1949
Im schlesischen Breslau (seit 1945 Wrocław/Polen) lebte in der Zwischenkriegszeit die drittgrößte jüdische Gemeinde des Deutschen Reichs (nach Berlin und Frankfurt) mit etwa 24.000 Mitgliedern. Sie erlebten die Ausgrenzung aus dem städtischen Raum, Verfolgung und Vernichtung durch die Nationalsozialisten wie Jüdinnen und Juden in anderen deutschen Städten auch. Doch die NS-Zeit ist für Breslau wenig erforscht – weder in Polen noch in Deutschland wurde das Thema intensiver bearbeitet. Der Wechsel der staatlichen Zugehörigkeit der Stadt 1945, der "Kalte Krieg" und seine Folgen sowie die Sprachbarriere verhinderten dies lange Zeit. In diesem Buch nehmen die Autorinnen und Autoren die...
