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This book provides a comprehensive cultural and historical account of the key film policies put into place by the Spanish state between 1980 and 2010 through a gendered lens, framing these policies within the wider context of European film legislation. Departing from the belief that there is no such thing as an objective and value-neutral approach to policy analysis because our society is organised around gender, this volume builds upon Pierre Bourdieu’s theory of field to propose that film policies do not emerge in a vacuum because they respond to different demands from those agents involved in the field of the Spanish cinema. By so doing, it critically assesses how these policies have come into being, by whom, in response to what interests, how they have shaped the Spanish film industry, and how far and in what ways they have tackled gender inequality in the Spanish film industry. This book will be of great interest to scholars and students of Spanish cinema, gender studies, film industry studies, film policy, and feminist film studies.
Number 2 of Donnarita Magazine, a new magazine of Italian DIY.
This volume of the Inter-American Yearbook on Human Rights covers the year 2005 and is organized along the same lines as its predecessors. Part One provides general information concerning the Inter-American Commission on Human Rights, and Part Two contains information concerning the Inter-American Court of Human Rights. The print edition is available as a set of two volumes (9789004186941).
This broadcasting reference provides the first comparative analysis of domestic fiction production in five major European countries: Germany, France, Italy, Spain, and Great Britain. Experts in the history of broadcasting in their respective countries have developed a comparative approach to assess the national specificity of television in their own countries on the basis of the similarities and differences with other national contexts.
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Based on quantitative and qualitative methodologies, the Observatory's monitoring of drama and comedy in the key European markets provide information which is invaluable to media scholars, policy-makers and broadcasting professionals.
TOMO NOTA es el reflejo sucinto de toda la riqueza de contenidos sobre cultura contemporánea y cultura digital que ofrecemos a través del Espacio Fundación Telefónica, haciendo especial hincapié en los protagonistas de los distintos eventos que celebramos, así como en las expresiones artísticas, ideas y experiencias que contribuyen a hacernos comprender mejor el mundo en que vivimos. Este número resume lo acontecido en el Espacio durante 2016 a través de la prestigiosa pluma de la periodista Sol Alonso, testigo y cronista de eventos en los que contamos con la Premio Nobel de Literatura, Svetlana Alexiévich; los Premios Príncipe de Asturias, Juan Luis Arsuaga y Antonio Damasio; los escritores Fernando Aramburu, Fernando Savater, Alicia Giménez Bartlett y Leonardo Padura; directores de cine, como Isabel Coixet, David Trueba y Kike Maíllo, o los actores José Sacristán, Juliette Binoche, Luis Tosar, José Coronado y Mario Casas; el músico Fran Nixon o el publicista Toni Segarra, entre muchos más.
¿Dónde queda la dignidad de un hombre que construye su identidad masculinidad sobre los pilares de la violencia sexual mercantilizada, dirigida al cuerpo de una mujer que no le desea? ¿Dónde queda su alma, su esencia, su luz? No hay más ignorante que el que no quiere saber, ni más ciego que el que no desea ver, ni cómplice más sanguinario que el que, pudiendo combatir un delito, mira para otro lado y transita por su experiencia de vida con la mezquindad de su falta de compromiso por la justicia social. Hombre que dices no pertenecer al grupo de los agresores prostituidores, has de saber dos cosas: Que tu acción social contra este delito es fundamental Que tu silencio te hace cómplice Tú decides MJ Navarro