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A many-layered work of historical reportage, Watercolours draws on the real life story of Dina Gottliebova-Babbitt (1923-2009), a Czech-American artist of Jewish ancestry, who was a prisoner at Auschwitz, and whose story came to light in the late 1990s. It was at this time that Gottliebova attempted once more to recover the art she had created in the concentration camp, and which had become the property of the Auschwitz-Birkenau State Museum. The dispute escalated into an international scandal, with the American Department of State and the Polish government becoming involved. Here, journalist Lidia Ostalowska reconstructs Gottliebova's time in the camp, while looking also at broader issues o...
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Przedmowa / 9 Lech Miłosz Giziński, Beata Kowalewska, Wiktor Dróżdż, Badania nad współczesnymi strategiami augmentacyjnymi terapii farmakologicznej depresji lekoopornej / 11 Justyna Kalisz, Martyna Sysakiewicz, Gammapatia monoklonalna z powikłaniami nerkowymi (MGRS) – definicja, patomechanizm, objawy, diagnostyka i leczenie / 27 Bartosz Malinowski, Katarzyna Kwiatkowska, Adrian Kozłowski, Grzegorz Chojnacki, Mateusz Ozorowski, Grzegorz Liczner, Karolina Długi, Aleksander Marciniak, Monika Szambelan, Maria Tomczak, Zbigniew Tomczak, Paweł Szyperski, Sebastian Rewerski, Ewelina Sawicka, Mateusz Szostak, Monika Sypniewska, Dawid Adamkiewicz, Jakub Ohla, Lilianna Baran, Małgorzata ...
Introducing Geralt the Witcher - revered and hated - who holds the line against the monsters plaguing humanity in the bestselling series that inspired the Witcher video games and a major Netflix show. Geralt of Rivia is a Witcher, a man whose magic powers and lifelong training have made him a brilliant fighter and a merciless assassin. Yet he is no ordinary killer: he hunts the vile fiends that ravage the land and attack the innocent. But not everything monstrous-looking is evil; not everything fair is good . . . and in every fairy tale there is a grain of truth. Andrzej Sapkowski, winner of the World Fantasy Lifetime Achievement award, started an international phenomenon with his Witcher series. The Last Wish is the perfect introduction to this one-of-a-kind fantasy world. Translated by Danusia Stok
The enduring influence of the architect Gottfried Semper (1803-1879) derives primarily from his monumental theoretical foray Der Stil in der technischen und tektonischen Künsten (1860-62), here translated into English for the first time. A richly illustrated survey of the technical arts (textiles, ceramics, carpentry, masonry), Semper's analysis of the preconditions of style forever changed the interpretative context for aesthetics, architecture, and art history. Style, Semper believed, should be governed by historical function, cultural affinities, creative free will, and the innate properties of each medium. Thus, in an ambitious attempt to turn nineteenth-century artistic discussion away from historicism, aestheticism, and materialism, Semper developed in Der Stil a complex picture of stylistic change based on scrutiny of specific objects and a remarkable grasp of cultural variety. Harry Francis Mallgrave's introductory essay offers an account of Semper's life and work, a survey of Der Stil, and a fresh consideration of Semper's landmark study and its lasting significance.
For the first time in English, Michael Ostling tells the story of the imagined Polish witches, showing how ordinary peasant-women got caught in webs of suspicion and accusation, finally confessing under torture to the most heinous of crimes.
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