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Mack Sennett's Fun Factory
This is a comprehensive career study and filmography of Mack Sennett, cofounder of Keystone Studios, home of the Keystone Kops and other vehicles that showcased his innovative slapstick comedy. The filmography covers the more than 1,000 films Sennett produced, directed, wrote or appeared in between 1908 and 1955, including casts, credits, synopses, production and release dates, locations, cross-references of remade stories and gags, footage excerpted in compilations, identification of prints existing in archives, and other information. The book, featuring 280 photographs, also contains biographies of several hundred performers and technical personnel connected with Sennett.
Father Goose
Story of motion picture producer and director Mack Sennett. After acting for a time under the direction of D.W. Griffith, Sennett became associated in 1912 with the Keystone Company, where he produced his famous slapstick films known as "Mack Sennett comedies." Fatty Arbuckle and Charlie Chaplin were two of the stars who worked for him.
Keystone
This title provides a history of silver screen comedy greats.
The Films of Mack Sennett
An authoritative reference work that contains the most comprehensive listing of cast and production credits ever published for films produced by Mack Sennett.
Mack Sennett
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King of Comedy
This is the story of Mack Sennett, one the world’s most influential entertainers. Based on interviews with Mr. Sennett and persons associated with the master comedian, King of Comedy begins with Sennett’s birth on January 17, 1880 in a province of Quebec. The story invites the reader to follow Sennett through his childhood, his many entertainment experiences, his personal life highlighted by his relationship with Mabel Normand, his creation of masterpieces such as Keystone Cops and his discoveries of unforgettable entertainers such as Charlie Chaplin. As he states in his final chapter, Mack Sennett strives to, “…tell about the comedies and how we made them, and about the funny fellows and the pretty girls who acted in them. They are a lost breed. Their like may never, walk, tumble, or pratt-fall again.” And the same holds true for the likes of a man such as Mack Sennett.
Motion Picture Series and Sequels
In 1989 alone, for example, there were some forty-five major motion pictures which were sequels or part of a series. The film series phenomenon crosses all genres and has been around since the silent film era. This reference guide, in alphabetical order, lists some 906 English Language motion pictures, from 1899 to 1990, when the book was initially published. A brief plot description is given for each series entry, followed by the individual film titles with corresponding years, directors and performers. Animated pictures, documentaries and concert films are not included but movies released direct to video are.
Comedy for Animators
While comedy writers are responsible for creating clever scripts, comedic animators have a much more complicated problem to solve: What makes a physical character funny? Comedy for Animators breaks down the answer by exploring the techniques of those who have used their bodies to make others laugh. Drawing from traditions such as commedia dell’arte, pantomime, Vaudeville, the circus, and silent and modern film, animators will learn not only to create funny characters, but also how to execute gags, create a comic climate, and use environment as a character. Whether you’re creating a comic villain or a bumbling sidekick, this is the one and only guide you need to get your audience laughing...
The Fun Factory
From its founding in 1912, the short-lived Keystone Film Company—home of the frantic, bumbling Kops and Mack Sennett's Bathing Beauties—made an indelible mark on American popular culture with its high-energy comic shorts. Even as Keystone brought "lowbrow" comic traditions to the screen, the studio played a key role in reformulating those traditions for a new, cross-class audience. In The Fun Factory, Rob King explores the dimensions of that process, arguing for a new understanding of working-class cultural practices within early cinematic mass culture. He shows how Keystone fashioned a style of film comedy from the roughhouse humor of cheap theater, pioneering modes of representation that satirized film industry attempts at uplift. Interdisciplinary in its approach, The Fun Factory offers a unique studio history that views the changing politics of early film culture through the sociology of laughter.
