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Towards a British Natyam
The story of the emerging professionalization of classical Indian dance forms in Britain is wrought with contradictions. Though becoming increasingly popular within mainstream culture, the forms lack the clear routes to vocational training so essential for creating a dance career in the traditional sense. Towards a British Natyam uses this lens to analyze the cultural, social, and political frameworks that make a profession possible within the arts. Innovatively drawing on the work of decolonial theorists and the sociologist Pierre Bourdieu, Gorringe illuminates the transformative potential of a classical Indian dance profession to decenter white supremacist modes of knowledge formation and recenter pluriversality.
Towards a British Natyam
The story of the emerging professionalization of classical Indian dance forms in Britain is wrought with contradictions. Though becoming increasingly popular within mainstream culture, the forms lack the clear routes to vocational training so essential for creating a dance career in the traditional sense. Towards a British Natyam uses this lens to analyze the cultural, social, and political frameworks that make a profession possible within the arts. Innovatively drawing on the work of decolonial theorists and the sociologist Pierre Bourdieu, Gorringe illuminates the transformative potential of a classical Indian dance profession to decenter white supremacist modes of knowledge formation and recenter pluriversality.
Diasporas and Interculturalism in Asian Performing Arts
A wide range of performing arts and practices of the Asian diasporas across the world are examined by scholars of Asian studies, theatre studies, anthropology, cultural studies, dance ethnology and ethnomusicology.
Staging New Britain
"Edited by Geoffrey V. Davis and Anne Fuchs"--T.p.
Decolonising English Studies from the Semi-Periphery
This book investigates how decolonising the curriculum might work in English studies — one of the fields that bears the most robust traces of its imperial and colonial roots — from the perspective of the semi-periphery of the academic world- system. It takes the University of Lisbon as a point of departure to explore broader questions of how the field can be rethought from within, through Anglophone (post)coloniality and an institutional location in a department of English, while also considering forces from without, as the arguments in this book issue from a specific, liminal positionality outside the Anglosphere. The first half of the book examines the critical practice of and the political push for decolonising the university and the curriculum, advancing existing scholarship with this focus on semi-peripheral perspectives. The second half comprises two theoretically-informed and classroom-oriented case studies of adaptation of the literary canon, a part of model syllabi that are designed to raise awareness of and encourage an understanding of a global, pluriversal literary history.
At Home in the World
The compelling story of a beautiful and versatile South Indian dance form
Ethical Agility in Dance
This edited collection examines the potential of dance training for developing socially engaged individuals capable of forging ethical human relations for an ever-changing world and in turn frames dance as a fundamental part of human experience. This volume draws together a range of critical voices to reflect the inclusive potential of dance. The contributions offer perspectives on contemporary dance training in Britain from dance educators, scholars, practitioners and artists. Through examining the politics, values and ethics of learning dance today, this book argues for the need of a re-assessment of the evolving practices in dance training and techniques. Key questions address how the con...
Dance, Music and Cultures of Decolonisation in the Indian Diaspora
Dance, Music and Cultures of Decolonisation in the Indian Diaspora provides fascinating examples of dance and music projects across the Indian Diaspora to highlight that decolonisation is a creative process, as well as a historical and political one. The book analyses creative processes in decolonising projects, illustrating how dance and music across the Indian Diaspora articulate socio-political aspirations in the wake of thinkers such as Gandhi and Ambedkar. It presents a wide range of examples: post-apartheid practices and experiences in a South African dance company, contestations over national identity politics in Trinidadian music competitions, essentialist and assimilationist strateg...
Salvation
Salvation is often regarded as being at the centre of Christianity, yet ideas about what constitutes salvation differ widely. This work examines traditional ideas of salvation.
Diversity in Australia’s Music
This volume showcases academic research into the rich diversity of music in Australia from colonial times to the present. Starting with an overview of developments during the past 50 years, the contributions discuss Western and non-western genres (opera, film, dance, choral, chamber); the history of music-making in particular cosmopolitan and regional centres (Canberra, Brisbane, the Hunter Valley, Alice Springs); old, new, and experimental compositions; and a variety of performers and ensembles active at particular points in time. In addition, cultural tropes and music as social practice are also explored, providing a rich tapestry of music and music-making in the country. The volume thus serves as a model for representing and approaching multicultural musical societies in an inclusive and comprehensive manner.
