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Sustainable Organic Agriculture for Developing Agribusiness Sector
Developing sustainable organic agriculture and resilient agribusiness sector is fundamental, keeping in mind the value of the opportunity presented by the growing demand for healthy and safe food globally, with the expectation for the global population to reach 9.8 billion by 2050, and 11 billion by 2100. Lately, the main threats in Europe, and worldwide, are the increasingly dynamic climate change and economic factors related to currency fluctuations. While the current environmental policy provides several mechanisms to support agribusinesses in mitigating organic food for daily increasing human population and stability of the currency, it does not contemplate the relative readiness of individuals and businesses to act correctly. Organic farming is the practice that relies more on using sustainable methods to cultivate crops and produce food animals, avoiding chemicals and dietary synthetic drug inputs that do not belong to the natural ecosystem. Organic agriculture can also contribute to meaningful socioeconomic, ecologically sustainable development, and significantly in the development of the agribusiness sector, especially in developing countries.
La Casa de Bernarda Alba
Depicts a power struggle among the women of a Spanish family after the father figure dies.
The Comic Spirit of Federico Garcia Lorca
During the years since his death, Federico García Lorca, Spain's best-known twentieth-century poet and playwright, has generally been considered a writer of tragedy. Three of his major plays are fatalistic stories of suffering and death, and his poetry is filled with dread. Yet most of Lorca's dramatic production consists of comedies and farces. Throughout his poetry and prose, as well as in his most somber plays, runs an undercurrent of humor—dark irony and satire—that is in no way contradictory to his tragic view of life. On the contrary, as Virginia Higginbotham demonstrates, through humor Lorca defines, intensifies, and tries to come to terms with what he sees as the essentially hop...
The Generation of 1898 and After
Angel Ganivet -- Miguel de Unamuno -- Ramon Maria del Valle-Inclan -- Pio Baroja -- Azorin -- Antonio Machado -- Jose Ortega y Gasset -- Ramon Perez de Ayala -- Ramon Gomez de la Serna -- Juan Ramon Jimenez -- Federico Garcia Lorca -- Pedro Salinas -- Jorge Guillen -- Camilo Jose Cela -- Carmen Laforet -- Miguel Delibes.
Finding Caspicara
"Caspicara was the most renowned sculptor of the eighteenth-century Andean world. Yet many works that are attributed to this Indigenous artist cannot be firmly documented as he is nearly absent in traditional archival records. Susan Webster seeks to analyze not only the visual imagery and material culture of his many works, but she also seeks to lay the foundation for understanding how scholars can revive the life and records of artists and other historical figures--many of whom were Indigenous in this period--with different methodologies. By cultivating artistic theory, popular religious devotion, and specific styles of sculpture, Webster's examination of the labor and workshop practices of...
Reflections on Lorca's Private Mythology
Federico García Lorca's autobiographical play, Once Five Years Pass deals directly with the discovery of his homosexual identity. While themes of sterility, desire, repression and death are central to this work, these themes are masked by the surrealistic language and plasticity that characterized his experimental theatre. Later, in his more traditional rural plays, Blood Wedding, Yerma, and The House of Bernarda Alba, Lorca sought to examine, at a safer distance, the themes elaborated in Once Five Years Pass. To this end, he removed himself from the center of the drama, creating a series of rural plays featuring women as the protagonists. An examination of the symbolic content in Blood Wedding, Yerma and The House of Bernarda Alba, which is more accessible in these traditionally structured works, supplies the key to the interpretation of Lorca's «unperformable» play.
The House Of Bernarda Alba
Bernarda Alba is a widow, and her five daughters are incarcerated in mourning along with her. One by one they make a bid for freedom, with tragic consequences. Lorca's tale depicts the repression of women within Catholic Spain in the years before the war. The House of Bernarda Alba is Lorca's last and possibly finest play, completed shortly before he was murdered by Nationalist sympathisers at the outbreak of the Spanish Civil War. Inspired by real characters and described by the author as 'a true record of village life', it is a tragic tale of frustration and explosive passions in a household of women rulled by a tyrannical mother. Edited with invaluable student notes - a must for students of Spanish drama
