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The true story of one woman's struggle to save her sons from radicalization by Chechen partisans, as told by a seasoned war reporter. In All Lara's Wars, the great events of the last half-century--the realignment of Eastern Europe after the fall of the Soviet Union, and the rise in the Middle East of ISIS and its quest for a new Caliphate--converge in this account of a Chechen-Georgian family whose two sons become radicalized, and how their mother--Lara--travels to Syria by bus and at great risk, not to join them but to bring them home. By then, the older son is a high level commander and the younger son a respected soldier in ISIS's army. The story is told with a sense of wonder at the cont...
"Notes From the Future of Art" is the first English language publication by Jerzy Ludwinski (1930-2000), the Polish art historian, critic, curator, founder of the Mona Lisa Gallery in Wroclaw, founder and mentor of the "structural art" pioneers Grupa Zamek, editor of the group's magazine "Struktury" and professor at the Polish Academy of Fine Arts. Ludwinski dissolved the compartmentalization of all these vocations in the course of his career, operating on the periphery of the state system as an informal éminence grise to Poland's avant-garde during the 50s and 60s. Ludwinski argued that "art" was no longer an appropriate designation for what was done in its name: "It is quite possible...that today we do not practice art any longer, simply because we have missed the moment when it transformed into something quite different, which we are unable to name. It is certain, however, that what we practice today presents greater possibilities."
The strengthening of relations between Poland and Ukraine over the last 25 years is one of the most positive examples of transformations in bilateral relations in Central and Eastern Europe. In spite of the complex and difficult historical heritage dominated by the events of the World War II and the first few years that followed, after the fall of Communism in Poland and Ukraine, bilateral institutional cooperation was successfully undertaken, and mutual social contacts were recreated. The issue of Polish-Ukrainian relations at the international and trans-border level gained particular importance at the moment of expansion of the European Union to the east, and announcement of the assumption...
This kaleidoscopic collection of more than 100 journal entries from one of Poland's greatest living writers includes semifictional tales, based on historical sources, that mirror the fragility of the human life. Here also are brilliant critical pieces on Soviet Communism and figures such as Kafka, Mann, Camus, and Dostoevsky.
The 'new art' of the late 1960s was shown in two landmark exhibitions in 1969: Op Losse Schroeven and When Attitudes Become Form. This book reveals how each brought together Arte Povera, Anti-Form, Conceptual and Land art, whilst challenging such categories and introducing innovative curatorial approaches. Christian Rattemeyer offers a rich comparative analysis of the two exhibitions, exploring the related but differing approaches of the two curators – Wim Beeren and Harald Szeemann – in two distinct institutional settings: the Stedelijk Museum in Amsterdam and the Kunsthalle Bern. Numerous installation photographs enable a virtual 'walk through' of each exhibition, while meticulous chronologies detail the negotiations that shaped them. Crucial texts from the time are complemented by new research and fascinating recent interviews with participating artists. Included are interviews with Marinus Boezem, Jan Dibbets, Ger van Elk, Piero Gilardi and Richard Serra. This book is Volume 1 in the Exhibition Histories series, which investigates shows that have shaped the way contemporary art is experienced, made and discussed.
This acclaimed volume is the first to provide a comprehensive overview of Jerzy Grotowski's long and multi-faceted career. It is essential reading for anyone interested in Grotowski's life and work. Edited by the two leading experts on Grotowski, the sourcebook features: *essays from the key performance theorists who worked with Grotowski, including Eugenio Barba, Peter Brook, Jan Kott, Eric Bentley, Harold Clurman, and Charles Marowitz *writings which trace every phase of Grotowski's career from his 'theatre of production' to 'objective drama' and 'art as vehicle' *a wide-ranging collection of Grotowski's own writings, plus an interview with his closest collaborator and 'heir', Thomas Richards *an array of photographs documenting Grotowski and his followers in action *a historical-critical study of Grotowski by Richard Schechner.
This report contains the second generation of National Action Plans against poverty and social exclusion which have been prepared by the Member States and constitute a strong political acknowledgement, three years after the Lisbon Summit, of the continuing challenge to ensure social inclusion across the European Union.
Scholar Jeffrey J. Kripal explores the life and teachings of Ramakrishna Paramahamsa, a 19th-century Bengali saint who played a major role in the creation of modern Hinduism. The work is now marked by both critical acclaim and cross-cultural controversy. In a substantial new Preface to this second edition, Kripal answers his critics and addresses the controversy.