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Unperson
In George Orwell?s 1984, an 'unperson' is someone who has been vaporized, whose record has been erased. Similarly, the North Korean defectors that Tim Franco chose to portray have decided to disappear, fleeing sometimes for ideological reasons and often out of despair. The road to South Korea is dangerous and can take years, across the many different borders with Mongolia, Laos, Thailand and China. The travels of the ones that do are filled with the fear of being arrested and sent back to labour camps. Having arrived in South Korea, they often struggle to find a new identity, lost between their North Korean past and South Korean future. 00Here, Tim Franco presents the stories of fifteen such 'unpersons'. Each portrait goes side by side with the story of how and why the subjects came to their radical decision to flee. In order to retrace their steps, Franco travelled to their crossing points, capturing the diversity of landscape that is the background of North Korean defection.
A World Ignited
War. Torture. Humiliation. Exploitation. Fear. Futility. The daily news is bleak. And it's not reserved to just one corner of the globe. World wide we are bombarded with graphic, emotionally-laden examples of inhumanity. These challenges to peace and freedom have become so commonplace that public and government responses are sedate or self-righteous. Meanwhile in more malevolent countries, manipulative politicians and sadistic terrorists have become skilled at exploiting this state of affairs. And we ignore it at our own peril. A World Ignited is about the surge of hatred that has swept the world in the last decade, its myriad causes, its toll in lives and human misery. This condition is amp...
Racism on the Internet
Racism was a pressing social problem long before the emergence of the digital age. The advancement of digital communication technologies such as the Internet has, however, added a new dimension to this problem by providing individuals and organisations with modern and powerful means to propagate racism and xenophobia. The use of the Internet as an instrument For The widespread dissemination of racist content is assessed in detail by the author.The problem of racist content on the Internet has naturally prompted vigorous responses from a variety of agents, including governments, supranational and international organisations and from the private sector. This book also provides a detailed critical overview of these regulatory and non-regulatory initiatives.
William Gibson
William Gibson, author of the cyberpunk classic, Neuromancer (1984), is one today's most widely read science fiction writers. This companion is meant both for general readers and for scholars interested in Gibson's oeuvre. In addition to providing a literary and cultural context for works ranging from Gibson's first short story, "Fragments of a Hologram Rose" (1977), to his recent, bestselling novel, Zero History (2010), the companion offers commentary on Gibson's subjects, themes, and approaches. It also surveys existing scholarship on Gibson's work in an accessible way and provides an extensive bibliography to facilitate further study of William Gibson's writing, influence, and place in the history of science fiction and in literature as a whole.
Flash (Back) Forward - No Trim
Flash (Back) Forward is a reproduction of the Flash Forward (Emerging Photographers From 2010) catalogue. The text of the Flash Forward exhibition catalogue has been reproduced accurately, but no photographs have been included. Each image or graphic device has been substituted with its linguistic equivalent.
Give and Take:
Give and Take: Motherhood and Creative Practice explores the diverse ways contemporary artists navigate the unique tensions of motherhood in all its varied stages. Becoming a mother is a life-changing event that can give mothers greater perspective, drive, and inspiration for making art. But motherhood also takes time and energy from pursuing creative work. This fundamental challenge, this give and take, is explored through this book as it forefronts the art and lives of dancers, playwrights, musicians, visual artists, and creative writers. The book contains thirty-three first person narratives from practicing artists along with written analyses that place these artists' essays within the broader context of arts writing and scholarship about motherhood. The concluding section of the book includes overarching thoughts about how artist mothers can move forward despite structural inequality and cultural bias and includes a resource guide for practical support.
Challenging the Boycott, Divestment and Sanctions (BDS) Movement
Challenging the Boycott, Divestment and Sanctions (BDS) Movement focuses on the efforts to oppose antisemitism, the academic boycott, and the BDS movement. The State of Israel has faced many threats, most of them military, since it was established in 1948, but the threat posed by the NGO forum at the United Nations World Conference against Racism in Durban, South Africa, in August 2001 was different. The forum unleashed the "new" antisemitism which targeted the State of Israel, as well as a non-violent, civil society-based campaign based on the South African anti-apartheid campaign of the 1980s – which was to form the basis of the international Boycott, Divestment and Sanctions (BDS) movem...
William Gibson
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The Unfinished Dollhouse
No mother is prepared for the moment when a child comes out to her as a person whose physical gender is out-of-keeping with his emotional and psychological gender-identity. In Michelle Alfano's intimate memoir, she recounts her experience as the mother of a transgender child. The central metaphor of The Unfinished Dollhouse tells the story: on Frankie's fourth birthday, her parents Michelle and Rob purchased a kit to create a beautiful dollhouse. Michelle imagined building the home, buying the tiny pieces of furniture and accessories to fill it and, more importantly, the times she and her daughter would spend constructing the perfect dollhouse - a fantasy of domestic and familial happiness. ...
Shanghai Gone
“One of the best accounts of the reality of gentrification and urban development in China . . . grounded with solid historical, ethnographic and legal evidence” (Urban Studies). In recent decades, the centuries-old city of Shanghai has been demolished and rebuilt into a gleaming megacity. With its world famous skyscrapers, it now ranks with New York and London as a hub of global finance. But that transformation has come at a grave human cost. In Shanghai Gone, Qin Shao applies the concept of domicide—the eradication of a home against the will of its dwellers—to the sweeping destruction of neighborhoods, families, and life patterns that made way for the new Shanghai. Shao gives voice ...
