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Street Angel
Magie Dominic’s first memoir, The Queen of Peace Room, was shortlisted for the Canadian Women’s Studies Award, ForeWord magazine’s Book of the Year Award, and the Judy Grahn Award. Told over an eight-day period, the book captured a lifetime of turbulent memories, documenting with skill Dominic’s experiences of violence, incest, and rape. But her story wasn’t finished. Street Angel opens to the voice of an eleven-year-old Dominic. She’s growing up in Newfoundland. Her mother suffers from terrifying nighttime hallucinations. Her father’s business is about to collapse. She layers the world she hears on radio and television onto her family, speaking in paratactic prose with a point...
Tracing the Autobiographical
The essays in Tracing the Autobiographical work with the literatures of several nations to reveal the intersections of broad agendas (for example, national ones) with the personal, the private, and the individual. Attending to ethics, exile, tyranny, and hope, the contributors listen for echoes and murmurs as well as authoritative declarations. They also watch for the appearance of auto/biography in unexpected places, tracing patterns from materials that have been left behind. Many of the essays return to the question of text or traces of text, demonstrating that the language of autobiography, as well as the textualized identities of individual persons, can be traced in multiple media and so...
163256
163256: A Memoir of Resistance is Michael Englishman’s astonishing story of courage, resourcefulness, and moral fibre as a Dutch Jew during World War II and its aftermath, from the Nazi occupation of Holland in 1940, through his incarceration in numerous death and labour camps, to his eventual liberation by Allied soldiers in 1945 and his emigration to Canada. Surviving by his wits, Englishman escaped death time and again, committing daring acts of bravery to do what he thought was right—helping other prisoners escape and actively participating in the underground resistance. A man who refused to surrender his spirit despite the loss of his wife and his entire family to the Nazis, English...
Love and War in London
Olivia Cockett was twenty-six years old in the summer of 1939 when she responded to an invitation from Mass Observation to “ordinary” individuals to keep a diary of their everyday lives, attitudes, feelings, and social relations. This book is an annotated, unabridged edition of her candid and evocative diary. Love and War in London: A Woman’s Diary 1939-1942 is rooted in the extraordinary milieu of wartime London. Vibrant and engaging, Olivia’s diary reveals her frustrations, fears, pleasures, and self-doubts. She records her mood swings and tries to understand them, and speaks of her lover (a married man) and the intense relationship they have. As she and her friends and family in New Scotland Yard are swept up by the momentous events of another European war, she vividly reports on what she sees and hears in her daily life. Hers is a diary that brings together the personal and the public. It permits us to understand how one intelligent, imaginative woman struggled to make sense of her life, as the city in which she lived was drawn into the turmoil of a catastrophic war.
Leaving Fundamentalism
In a time when religious conservatives have placed their faith and values at the forefront of the so-called “culture wars,” this book is extremely relevant. The stories in Leaving Fundamentalism provide a personal and intimate look behind sermons, religious services, and church life, and promote an understanding of those who have been deeply involved in the conservative Christian church. These autobiographies come from within the congregations and homes of religious fundamentalists, where their highly idealized faith, in all its complexities and problems, meets the reality of everyday life. Told from the perspective of distance gained by leaving fundamentalism, each story gives the reader a snapshot of what it is like to go through the experiences, thoughts, feelings, passions, and pains that, for many of the writers, are still raw. Explaining how their lives might continue after fundamentalism, these writers offer a spiritual lifeline for others who may be questioning their faith. Foreword by Thomas Moore
The Water Lily Pond
This evocative narrative draws us into the inner life of a young Chinese peasant girl, May-ping, and her first glimmerings of youthful love and idealism under the Maoist regime in China. As she grows into a mature woman, she becomes increasingly aware of the strife around her. An intelligent girl born into a Poor-Class family in a small village in rural China, she is, because of the Maoist policy towards such families, able to pursue her dream of going to university. To her surprise, urban snobbery and “student thought-spying” at university make it essential for her to hide her real thoughts. Such self-protection becomes especially necessary once her idealistic boyfriend Dan — a secret...
Burdens of Proof
Autobiographical impostures, once they come to light, appear to us as outrageous, scandalous. They confuse lived and textual identity (the person in the world and the character in the text) and call into question what we believe, what we doubt, and how we receive information. In the process, they tell us a lot about cultural norms and anxieties. Burdens of Proof: Faith, Doubt, and Identity in Autobiography examines a broad range of impostures in the United States, Canada, and Europe, and asks about each one: Why this particular imposture? Why here and now? Susanna Egan’s historical survey of texts from early Christendom to the nineteenth century provides an understanding of the author in r...
Just a Larger Family
The Second World War had been under way for a year when Marie and John Williamson welcomed two English brothers to join them and their two children in their small house in north Toronto for the duration of the conflict. Marie wrote over 150 letters to the boys’ mother, Margaret Sharp, imagining that she could make Margaret feel she was still with her children. She shepherded the boys through education decisions and illnesses, eased them into a strange new life, and rejoiced when they embraced unfamiliar winter sports. The letters brim with detail about family holidays, the financial implications of an extended family, their involvement in their church, and the games and activities that kept them occupied. Marie’s letters reflect the lives and concerns of a particular family in Toronto, but they also reveal a portrait of what was then Canada’s second-largest city during wartime. The introduction is by Mary F. Williamson, Marie’s daughter, and Tom Sharp, Margaret’s youngest son. The book features a foreword by Jonathan Vance that puts the letters in historical context.
Caffe Cino
“It’s Magic Time!” That colorful promise began each performance at the Caffe Cino, the storied Greenwich Village coffeehouse that fostered the gay and alternative theatre movements of the 1960s and launched the careers of such stage mainstays as Sam Shepard, Lanford Wilson, Robert Heide, Harry Koutoukas, Robert Patrick, Robert Dahdah, Helen Hanft, Al Pacino, and Bernadette Peters. As Off-Off-Broadway productions enjoy a deserved resurgence, theatre historian and actor Wendell C. Stone reopens the Cino’s doors in this vibrant look at the earliest days of OOB. Rife with insider interviews and rich with evocative photographs, Caffe Cino: The Birthplace of Off-Off-Broadway provides the first detailed account of Joe Cino’s iconic café theatre and its influence on American theatre. A hub of artistic innovation and haven for bohemians, beats, hippies, and gays, the café gave a much-sought outlet to voices otherwise shunned by mainstream entertainment. The Cino’s square stage measured only eight feet, but the dynamic ideas that emerged there spawned the numerous alternative theatre spaces that owe their origins to the risky enterprise on Cornelia Street.
The Curtain
Henry Schogt met his wife, Corrie, in 1954 in Amsterdam. Each knew the other had grown up in the Netherlands during World War II, but for years they barely spoke of their experiences. This was true for many people — the memories were just too painful. Years later, Henry and Corrie began to piece their memories together, to untangle reality from dreams. Their intent was to help others understand what had happened then, and how it influenced and affected not only their lives but those of all who survived. The seven stories in The Curtain reveal how two families — one Jewish, one non-Jewish — fared in the Netherlands during the German occupation in World War II. Each vignette highlights a...
