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Contemporary Czech Painting
  • Language: en
  • Pages: 256

Contemporary Czech Painting

Reveals the breadth of creative imagination that was stifled after the Soviet invasion of 1968.

19th Century European Paintings, Drawings and Sculpture
  • Language: en
  • Pages: 278

19th Century European Paintings, Drawings and Sculpture

  • Type: Book
  • -
  • Published: 1996
  • -
  • Publisher: Unknown

None

Sponsored Research in the History of Art
  • Language: en
  • Pages: 524

Sponsored Research in the History of Art

  • Categories: Art
  • Type: Book
  • -
  • Published: 1993
  • -
  • Publisher: Unknown

None

UNESCO Features
  • Language: en
  • Pages: 1150

UNESCO Features

  • Type: Book
  • -
  • Published: 1984
  • -
  • Publisher: Unknown

None

Books in Print
  • Language: en
  • Pages: 2132

Books in Print

  • Type: Book
  • -
  • Published: 1994
  • -
  • Publisher: Unknown

None

Art Diary International 08.09
  • Language: en
  • Pages: 634

Art Diary International 08.09

  • Type: Book
  • -
  • Published: 2008
  • -
  • Publisher: Unknown

None

RILA, International repertory of the literature of art
  • Language: en
  • Pages: 324

RILA, International repertory of the literature of art

  • Categories: Art
  • Type: Book
  • -
  • Published: 1976
  • -
  • Publisher: Unknown

None

Art Diary International
  • Language: un
  • Pages: 600

Art Diary International

  • Categories: Art
  • Type: Book
  • -
  • Published: 2006
  • -
  • Publisher: Unknown

None

Dependence of Non-Continuous Random Variables
  • Language: en
  • Pages: 189

Dependence of Non-Continuous Random Variables

  • Type: Book
  • -
  • Published: 2004
  • -
  • Publisher: Unknown

None

Modern Art in Eastern Europe
  • Language: en
  • Pages: 400

Modern Art in Eastern Europe

  • Categories: Art

This pioneering and award-winning study provides the world with the first coherent narrative of Eastern European contributions to the modern art movement. Analyzing an enormous range of works, from art centers such as Prague, Warsaw and Budapest, (many published here for the first time), S.A. Mansbach shows that any understanding of Modernism is essentially incomplete without the full consideration of vital Eastern European creative output. He argues that Cubism, Expressionism and Constructivism, along with other great modernist styles, were merged with deeply rooted, Eastern European visual traditions. The art that emerged was vital modernist art that expressed the most pressing concerns of...