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Designs for Different Futures
"Designs for Different Futures records the concrete ideas and abstract dreams of designers, artists, academics, and scientists engaged in exploring how design might reframe our futures--socially, ethically, and aesthetically. Centered on ninety-nine innovative contemporary design objects, projects, and speculations, this handbook asks readers to contemplate our cultural attitudes toward technology, consumption, beauty, and the social and environmental challenges we face on both a local and global scale in futures near and far. Thought-provoking projects are explored through interpretive texts and interviews by the designers themselves and the core curatorial team. Interspersed with the project pages are newly commissioned texts by academics, scientists, designers, artists, curators, and futurists that explore wide-ranging issues, from historical visions of the future to the use of biological/living materials in products and production processes"--Description provided by publisher.
In a Cloud, in a Wall, in a Chair
This publication brings together six artists and designers working in Mexico at midcentury who expanded the horizons of modernism.
MATERIAL WITNESS
The evidential role of matter—when media records trace evidence of violence—explored through a series of cases drawn from Kosovo, Japan, Vietnam, and elsewhere. In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, Material Witness moves through a series of cases that provide insight into the ways in which materials become contested agents of dispute around which stake holders gather. These cases include an extraordinary videotape documenting the massacre at Izbica...
Publishing Acts II
Šibenik Alternating Currents is the second part of the “Publishing Acts” series. It unites a set of collaboratively produced, openended socio-political imaginaries about the Croatian city Šibenik re-narrating its past, present and future. It also is a critical reflection on prevailing processes, methods and frames for architectural knowledge production —specifically on architectural publishing: Publishing here is understood as a processual device evoking and framing a social and discursive sphere for multivocal negotiation, self-reflexive sensemaking, and differentiated co-production. It is targeted at opening up conceptual and concrete counter-spaces beyond the “existing”, beyond what is currently broadly embodied and materialized.
Interdisciplinary Practice in Industrial Design
Proceedings of the 15th International Conference on Applied Human Factors and Ergonomics and the Affiliated Conferences, Nice, France, 24-27 July 2024.
As Seen
Exhibitions have long played a crucial role in defining disciplinary histories. This fascinating volume examines the impact of eleven groundbreaking architecture and design exhibitions held between 1956 and 2006, revealing how they have shaped contemporary understanding and practice of these fields. Featuring written and photographic descriptions of the shows and illuminating essays from noted curators, scholars, critics, designers, and theorists, As Seen: Exhibitions that Made Architecture and Design History explores the multifaceted ways in which exhibitions have reflected on contemporary dilemmas and opened up new processes and ways of working. Providing a fresh perspective on some of the most important exhibitions of the 20th century from America, Europe, and Japan, including This Is Tomorrow, Expo '70, and Massive Change, this book offers a new framework for thinking about how exhibitions can function as a transformative force in the field of architecture and design.
Georg Jensen
"This beautifully illustrated catalogue explores how Georg Jensen silver has expanded the boundaries of modern style, changing the look of twentieth-century homes and spreading Scandinavian design around the world. Design for Everyday Living is the first scholarly treatment of Georg Jensen to approach the firm's output in an analytical way, situating it in the context of twentieth-century design history and focusing on the firm's unique evolution and global influence. This book is geared to a wide audience of interested nonspecialists and design historians rather than to a narrower readership of silver collectors. It is also innovative in that it focuses on the story of the firm rather than solely on the career of its founder. The essays are all original and include a contribution from Thomas Thulstrup, the leading expert on Georg Jensen silver. The book also benefits from a close collaboration with the Jensen firm, which has allowed us access to images and archival materials published here for the first time"--
Harald Szeemann
Widely regarded as the most influential curator of the second half of the twentieth century, Harald Szeemann (1933–2005) is associated with some of the most important artistic developments of the postwar era. A passionate advocate for avant-garde movements like Conceptualism and Postminimalism, he collaborated with artists such as Joseph Beuys, Bruce Nauman, Richard Serra, and Cy Twombly, developing new ways of presenting art that reflected his sweeping vision of contemporary culture. Szeemann once stated that his goal as an exhibition maker was to create a “Museum of Obsessions.” This richly illustrated volume is a virtual collection catalogue for that imaginary institution, tracing t...
The Dream Colony
"An intimate tour through fifty years of American art history” (New Yorker) through the eyes of the visionary curator who helped shape it—with an introduction by legendary artist Ed Ruscha
Lab Coats in Hollywood
How science consultants make movie science plausible, in films ranging from 2001: A Space Odyssey to Finding Nemo. Stanley Kubrick's 2001: A Space Odyssey, released in 1968, is perhaps the most scientifically accurate film ever produced. The film presented such a plausible, realistic vision of space flight that many moon hoax proponents believe that Kubrick staged the 1969 moon landing using the same studios and techniques. Kubrick's scientific verisimilitude in 2001 came courtesy of his science consultants--including two former NASA scientists--and the more than sixty-five companies, research organizations, and government agencies that offered technical advice. Although most filmmakers don'...
