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Born and brought up in Poland bilingually in French and Polish but living for most of his professional life in England and writing in English, Joseph Conrad was, from the start, as much a European writer as he was a British one and his work – from his earliest fictions through Heart of Darkness, Nostromo and The Secret Agent to his later novels– has repeatedly been the focal point of discussions about key issues of the modern age. With chapters written by leading international scholars, this book provides a wide-ranging survey of the reception, translation and publication history of Conrad's works across Europe. Covering reviews and critical discussion, and with some attention to adaptations in other media, these chapters situate Conrad's works in their social and political context. The book also includes bibliographies of key translations in each of the European countries covered and a timeline of Conrad's reception throughout the continent.
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Presents a series of critical essays discussing the structure, themes, and subject matter of Fitzgerald's story of the love between wealthy Jay Gatsby and the beautiful Daisy Buchanan.
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Lists editions, books, articles, and dissertation abstracts published from 1945 to 1999 on every field of nineteenth-century British studies
Joseph Conrad's Authorial Self is organized around the category of the author with some illuminating aspects of Conrad's Polishness as the major area of consideration. It starts with a theoretical treatment of Conrad's authorship, continues through a focus on autobiography along with his creative process, proceeds with analyses of his ideas derived from his Polish heritage as presented in his personality and oeuvre, and moves on to biographies of the writer's relatives. This set is followed by papers on "Amy Foster," a short story of strong Polish resonance and a classic of émigré literature, considerations of translations of his works into Polish, and essays on central/south-central Europ...
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