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Decolonial Existence and Urban Sensibility
The book Decolonial Existence and Urban Sensibility: A Study on Mahesh Elkunchwar meticulously reflects upon some of the selected translated plays of Marathi playwright Mahesh Elkunchwar. It revolves around the themes of decolonial existence and urban sensibility in contemporary India as portrayed in his plays with respect to post-independent urban existence, socio-cultural existence and gender. The book also looks forward to establish a counterargument against the idealized and totalitarian definitions of West-centric existentialist philosophy, and establish indigenous dimensions of decolonial existence within specific contexts. It dismantles the colonially structured existing binaries of urban/rural, ethical/unethical and high culture/low culture through the diverse portrayal of human relationships in contemporary India and broadly addresses two inter-mingled perspectives. Firstly, it outlines the thematic and dramatic perspectives of the selected plays of Mahesh Elkunchwar and secondly, it explores the multi-dimensional philosophical perspectives that encapsulate the theoretical latitude of decoloniality and urban sensibility.
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Social Discourse in Challenging Times - The International Interdisciplinary Scientific Conference 2023 - Proceedings and Book of Abstracts
In the light of current digital advancements, the discourse surrounding digitalization has increased in importance, and the International Scientific Conference “Social Discourse in Challenging Times” reflected upon this trend. Coordinated by the University of Economics in Bratislava, this event was organized within the ODDEA project, at the University of Economics in Bratislava, between May 17th-20th, 2023. A significant attribute of the conference was its hybrid form, utilizing both face-to-face interaction at the University premises, and MS TEAMS for virtual involvement. This conference focused on the exploration of two fundamental areas of study. The first explored interdisciplinary t...
Multicultural and Marginalized Voices of Postcolonial Literature
Women and the word marginalization have never remained oxymoronic – the cross-cultural texts and Engels interest on subjugation make a perfect recipe for this incongruity. Multicultural and Marginalized Voices of Postcolonial Literature traces multifarious facets of marginalized literature across the world, giving a brilliant overview of the historical roots of multiculturalist and marginalized sections. The fourteen chapters relate key literary and cultural texts and cover a broad spectrum of historical, linguistic and theoretical issues. There are three sections in the book – section I has four chapters, dealing specifically theoretical constructions and representations. Section II consists of four chapters that offer varied spectrum of discourses on world literature, intersecting with the frameworks of literary theories. Section III comprises six chapters that explore the mind of dalits, subalterns, colonial women and gender issues of a variety of Indian English Writers and draw varied perspectives of it.
Modernity, Print and Sahitya
The advent of print heralded a significant chapter in the history of colonial modernity in South Asia. This book narrates the story of the emergence of a new literary culture, Utkal sahitya or Odia literature, in the context of similar but conflicting linguistic-territorial cultures of Eastern India. The book is the first cross-cultural study of the emergence of a new literary culture in Eastern India with diverse, yet cognate languages in the years between 1866 and 1919. By researching a large corpus of archival material, it traces the emergence of a new literary culture that marked significant departures from traditional practices and understanding of the “literary,” and that was subse...
Traditional Knowledge in Modern India
This book demonstrates how traditional knowledge can be connected to the modern world. Human knowledge of housing, health and agriculture dates back thousands of years, with old wisdom developing and becoming modern. But in the past few decades, global communities have increasingly become aware that some of this valuable knowledge has fallen by the wayside. This has sparked systematic efforts at the local, national and global levels to connect this neglected knowledge to the modern world. It discusses the origin of the topic, its importance, recent developments in India and abroad, and what is being done and still needs to be done in order to preserve India’s traditional knowledge. The discussions address a broad range of fields and organizations: from Basmati rice to Ayurvedic cosmetics; from traditional irrigation and folk music to modern drug discovery and climate change adaptation; and from the Biodiversity Convention to the WHO, WTO and WIPO.
The Man Who Tried to Remember
A well-known figure in Pune, Achyut Athavale is a retired economist of wide-ranging interests and some social standing. He is often invited to give lectures and speak at public events. One such speech results in a riot taking place in the city, leading a troubled Achyut to move into a home for the elderly located near three small villages in rural India named Norway, Sweden and Denmark. There Achyut suffers a temporary loss of memory and murders another inmate of the home. Events take a turn for the bizarre with the media, the Hindi film industry and some international political figures campaigning to assert Achyut’s innocence. Bringing together the stylistic elements of the early twentieth-century Marathi novel and the modern European Absurd in this superbly crafted exploration of causality and memory, Makarand Sathe creates a scathing and humorous narrative around the happenings of Achyut’s life.
Marathi Cinema, Cultural Space, and Liminality
This book is a critical history of Marathi cinema, from its formative years in the 1920s till the end of 1990s. It is the first work to explore the industrial and aesthetic dynamics of Marathi cinema, and elaborate on the idea of region as performance using the framework of critical socio-spatial analysis. Against the dominance of Hindi cinema, the Marathi film industry, as a regional film practice in India, has developed within a cultural and spatial liminality. This historical situation of the Marathi film industry is formulated here as the shaping and dispersal of a vernacular cultural space; and is traced over a period of seven decades, across genres like the saint-film, social melodramas, and the tamasha film, as well as in urban and mofussil sites of film circulation. The book aims to be a useful resource for students, researchers, and general readers, while attending to a lack of scholarly inquiries on this important regional film culture.
A Socio-Political History of Marathi Theatre
Exploring the major trends in Marathi theatre, this three-volume set presents a detailed history of the development of modern Marathi theatre. The work is written in the form of a dialogue between a writer and a clown, where the clown goes on to educate the writer, by narrating to him the history of Marathi theatre, taking him through its inception in 1842 to 1985. Originally written in Marathi, this encyclopaedic work would narrate a social history of Maharashtra and of India as seen through the window of theatre. The narration proceeds through thirty nights, loosely following the structure of Arabian Nights, woven around the question, 'Who am I?' The methodology that Sathe follows is compl...
POLITICAL THEARE IN INDIA: WITH SPECIAL REFERENCE TO MARATHI THEATRE AND BRECHTIAN INFLUENCE
There have been several researched studies of Marathi Theatre, there have been valuable monographs on single dramatists and many insightful articles in Marathi journals. However, comprehensive surveys of specifically political theatre are scarce.
