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To the Hermitage tells two stories. The first is of the narrator, a novelist, on a trip to Stockholm and Russia for an academic seminar called the Diderot Project. The second takes place two hundred years earlier and recreates the journey the French philosopher Denis Diderot made to Russia at the invitation of Catherine the Great, a woman whose influence could change the path of history . . . Malcolm Bradbury’s last novel is rich with his satirical wit, but it is also deeply personal and weaves a wonderfully wry self-portrait.
Bradbury argues that almost a century since the emergence of Modernism, it is now possible to see the entire period in perspective. It is clear that the first 50 years - from Henry James, Wilde and Stevenson, through James Joyce, Lawrence, Forster, to Huxley, Isherwood and Orwell - have been extensively discussed in print. The years since World War II, though, have not been examined in depth, yet have produced talents such as Graham Greene, Angus Wilson, Beckett, Doris Lessing, Margaret Drabble, Angela Carter, Ian McEwan, Kingsley and Martin Amis, Julian Barnes, Fay Weldon, Salman Rushdie and Timothy Mo.
Bradbury argues that almost a century since the emergence of Modernism, it is now possible to see the entire period in perspective. It is clear that the first 50 years - from Henry James, Wilde and Stevenson, through James Joyce, Lawrence, Forster, to Huxley, Isherwood and Orwell - have been extensively discussed in print. The years since World War II, though, have not been examined in depth, yet have produced talents such as Graham Greene, Angus Wilson, Beckett, Doris Lessing, Margaret Drabble, Angela Carter, Ian McEwan, Kingsley and Martin Amis, Julian Barnes, Fay Weldon, Salman Rushdie and Timothy Mo.
Beschouwingen over de Britse roman na de Tweede Wereldoorlog door de Engelse auteur en recensent (geb. 1932)
It is the summer of 1986 and the cutting, trimming and shrinking of public funds is much in the news. Education, health, the arts - all are being deprived of money. But while the university where the obscure but critically sound writer Henry Babbacombe teaches is having to cut down on staff, a northern television company is having a last spree before the money runs out. And who should they choose for their writer but Henry Babbacombe? Wrenched from the privacy and seclusion of his garden shed into the spotlight of the media, Henry learns a thing or two about what it takes to be successful in Mrs Thatcher's Britain.
This anthology is in many was a ‘best of the best’, containing gems from thirty-four of Britain's outstanding contemporary writers. It is a book to dip into, to read from cover to cover, to lend to friends and read again. It includes stories of love and crime, stories touched with comedy and the supernatural, stories set in London, Los Angeles, Bucharest and Tokyo. Above all, as you will discover, it satisfies Samuel Butler's anarchic pleasure principle: 'I should like to like Schumann's music better than I do; I daresay I could make myself like it better if I tried; but I do not like having to try to make myself like things; I like things that make me like them at once and no trying at all ...'
Forty-year-old university professor Stuart Treece is rather set in his ways, and in the midst of the changing attitudes of the ’50s, his encounters with the younger generation are making him feel decidedly alien. When he falls disastrously in love with one of his students all his efforts to acclimatize are hilariously undermined. Timeless and brilliant, Eating People is Wrong is Malcolm Bradbury’s first novel, and established him as a master of satire.
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