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Arts and Crafts Book Covers
Before the age of the paper book jacket, publishers issued their books in cloth-covered boards, which were stamped with designs in golf leaf and color. From around 1860, artists of the Arts and Crafts movement supplied many of the best designs. Dante Gabriel Rossetti, William Morris and Walter Crane led the way, and they were followed in the 1890s by Laurence Housman, Charles Ricketts and Selwyn Image, among others. Prominent Arts and Crafts architects, such as Philip Webb and C.F.A. Voysey, also designed book covers. Malcolm Haslam explores this uncharted territory, investigating not only the designs and designers, but the publishers and binders as well. He introduces some artists, little known today, whose designs filled the bookshops and bookshelves of late Victorian and Edwardian Britain, and he shows how designers in Europe and America were influenced by British book covers decorated in the Arts and Crafts style. Ninety-nine of the best covers are illustrated and described, and details are given of over fifty Arts and Crafts designers who worked in commercial book production, and their marks and monograms are shown.
The Martin Brothers, Potters
The story of their salt-glazed pottery that has a special place in the history of ceramic art.
The Real World of the Surrealists
"In this superbly illustrated book Malcolm Haslam describes the background o the Surrealists' and Dadaists' struggle against the establishment, from their origins to the eve of the Second World War. The paintings of de Chirico, Miró, Dali, Ernst, Magritte and others are shown against a background of contemporary documents and photographs of both the exponents and the enemies of the movement, as well as stills from the films the Surrealists made and those that inspired them. Many of the more celebrated names of twentieth-century art and literature - Picasso, Cocteau, Gide and Apollinaire, to name but a few - figure in Malcolm Haslam's fascinating survey of this unique cultural movement."--book jacket.
Elton Ware
A detailed account of the potter and his work.
Highland Stoneware
Patterns and special pieces illustrated in color.
Pioneers of Modern Craft
Pioneers of modern craft profiles key figures in the history of contemporary twentieth-century crafts. It focuses on the lives and times of prominent individuals who were (or became) influential throughout the pre- and post-war periods in Britain, such as David Pye, Gerald Benney, Gerda Flockinger, Edward Barnsley and William Staite Murray.
A New Leaf
This book will speak to people around the world who have used houseplants as big factors in their interiors, to find out why, and how, and what the effects have been. This is a trend that is bigger than Instagram, it is now a zeitgeist being adopted by architects and interiors obsessives, and this will take inspiration from them that readers will fold into their own lives. Organized visually, A New Leaf will feature beautiful shots of whole homes, with emphasis on its plantlife and the owners' individual styles. These are people who have chosen every material, finish and touch in their home to the tiniest detail, and have given just as much attention to their plants.
Bugatti The Designer
This book is about Ettore Bugatti's extraordinary mind devoted to a multitude of inventions, designs, modifications, innovations, ideas, hobbies and follies. The object of this publication is an attempt to try and cover a very diverse and wide volume of work in the design field and includes Cars, Railway, Marine, Aircraft and Machine Tools. Contents include: The Bugatti Heritage 1676-2008; List of inventions, designs, ideas and follies in alphabetical order; Molsheim Electrics; Horses and Carriages; Machine Tool Patents; Aeronautics; Railways; Marine; Automotive. Appendices: Biography of Giovanni Segantini; Details of the Bugatti Aircraft Assoc.; Details of the Bugatti Trust; Details of the ...
The Economics of Attention
If economics is about the allocation of resources, then what is the most precious resource in our new information economy? Certainly not information, for we are drowning in it. No, what we are short of is the attention to make sense of that information. With all the verve and erudition that have established his earlier books as classics, Richard A. Lanham here traces our epochal move from an economy of things and objects to an economy of attention. According to Lanham, the central commodity in our new age of information is not stuff but style, for style is what competes for our attention amidst the din and deluge of new media. In such a world, intellectual property will become more central t...
Old House Interiors
National architectural magazine now in its fifteenth year, covering period-inspired design 1700–1950. Commissioned photographs show real homes, inspired by the past but livable. Historical and interpretive rooms are included; new construction, additions, and new kitchens and baths take their place along with restoration work. A feature on furniture appears in every issue. Product coverage is extensive. Experts offer advice for homeowners and designers on finishing, decorating, and furnishing period homes of every era. A garden feature, essays, archival material, events and exhibitions, and book reviews round out the editorial. Many readers claim the beautiful advertising—all of it design-related, no “lifestyle” ads—is as important to them as the articles.
