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Discovering the Family of Miles Malleson 1888 to 1969
Andrew Malleson practised psychiatry. Miles Malleson, was an actor and dramatist.
If I'd Only Known I'd Live This Long
What everyone needs to know NOW about health, fitness and living well in the second half of a great life! If you think growing old is all about walking frames and heart pills, think again. David Beard is a highly qualified physiologist specialising in ageing and well-being. Having worked with people from 25 to 105 he knows that maintaining a healthy and active lifestyle is not only essential to enjoying life at any age, it's not as hard as you might think. This book covers the areas of health, nutrition, fitness and activity, relationships, purpose and passion, money and of course expectations and attitudes to growing older. It's a must read for anyone who plans to live a long time and enjoy it. * Why not have a GREAT and LONG life? * Who will you invite to your 100th birthday party? * What dreams can you turn into goals and then reality after retirement? Written in a simple, easy-to-read style, this book is a delightful gift, for anyone at any age who wants to make the rest of their life the best it can be.
Histories of Fascism and Anti-Fascism in Australia
Histories of Fascism and Anti-Fascism in Australia provides a history of fascist movements and anti-fascist resistance in Australia over the past century. In recent years, the far right has become a resurgent force across the globe, resulting in populist parties securing electoral victories, social movements organising on the streets, and acts of right-wing terrorism. Australia has not been immune to this. However, this is not merely a recent phenomenon; it has a long history of fascist and far-right groups and individuals. These groups have attempted to situate themselves within the wider settler colonial political landscape, often portraying themselves as the inheritors of a violent and ex...
The South Seas
The South Seas charts the idea of the South Seas in popular cultural productions of the English-speaking world, from the beginnings of the Western enterprise in the Pacific until the eve of the Pacific War. Building on the notion that the influences on the creation of a text, and the ways in which its audience receives the text, are essential for understanding the historical significance of particular productions, Sean Brawley and Chris Dixon explore the ways in which authors’ and producers’ ideas about the South Seas were “haunted” by others who had written on the subject, and how they in turn influenced future generations of knowledge producers. The South Seas is unique in its examination of an array of cultural texts. Along with the foundational literary texts that established and perpetuated the South Seas tradition in written form, the authorsexplore diverse cultural forms such as art, music, theater, film, fairs, platform speakers, surfing culture, and tourism.
African Americans and the Pacific War, 1941–1945
In the patriotic aftermath of Pearl Harbor, African Americans demanded the right to play their part in the war against Japan. As they soon learned, however, the freedom for which the United States and its allies was fighting did not extend to African Americans. Focusing on African Americans' experiences across the Asia-Pacific theater during World War Two, this book examines the interplay between national identity, the racially segregated US military culture, and the possibilities of transnational racial advancement, as African Americans contemplated not just their own oppression but that of the colonized peoples of the Pacific region. In illuminating neglected aspects of African American history and of World War Two, this book deepens our understanding of the connections between the United States' role as an international power and the racial ideologies and practices that characterized American life during the mid-twentieth century.
Locating Australian Literary Memory
‘Locating Australian Literary Memory’ explores the cultural meanings suffusing local literary commemorations. It is orientated around eleven authors – Adam Lindsay Gordon, Joseph Furphy, Henry Handel Richardson, Henry Lawson, A. B. ‘Banjo’ Paterson, Nan Chauncy, Katharine Susannah Prichard, Eleanor Dark, P. L. Travers, Kylie Tennant and David Unaipon – who have all been celebrated through a range of forms including statues, huts, trees, writers’ houses and assorted objects. Brigid Magner illuminates the social memory residing in these monuments and artefacts, which were largely created as bulwarks against forgetting. Acknowledging the value of literary memorials and the voluntary labour that enables them, she traverses the many contradictions, ironies and eccentricities of authorial commemoration in Australia, arguing for an expanded repertoire of practices to recognise those who have been hitherto excluded.
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