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Field Man is the memoir of renowned southwestern archaeologist Julian Dodge Hayden--a blue-collar scholar who challenged conventional thinking on the antiquity of man in the New World, brought a formidable pragmatism to the identification of stone tools, and who is remembered as the leading authority on the prehistory of the Sierra Pinacate.
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What is it about the 200-year-old hero that we so ardently admire and love? Dr Malcolm examines Austen's influences in creating Darcy's potent mix of brooding Gothic hero, aristocratic elitist and romantic Regency man of action. She investigates how he paved the way for later characters like Heathcliff and his lasting impact on popular culture.
West Belfast, Northern Ireland, 1981. Tensions between Catholics and Protestants have never been higher. The IRA Hunger Strikes are in full swing, and violence continues to spread in Belfast. While working in their parents' grocery store, two young Catholic twins, Vincent and Michael Logan, witness their father's brutal murder by British commandos. This horrific crime sends the twins on radically opposing paths. As they reach adulthood, Vincent embarks on a journey for justice and becomes a cop. Michael, still simmering over his father's murder, is out for revenge and soon becomes the IRA's most feared assassin. When Michael discovers that his father's killer has just become the most powerful man in Europe, he plots his revenge. But there's one man standing in his way, one he used to call brother .
"The result of nearly 20 years of interdisciplinary research, this volume contributes to the archaeological and paleoenvironmental knowledge of an important but lightly investigated, hyperarid coastline at the heart of the Sonoran Desert. Focused on the coast near Puerto Peñasco, Sonora, Mexico, it examines the diverse groups occupying the coast for salt, abundant food sources, and shells for ornament manufacturing"--
Syndicated cartoonist and illustrator Tim Jackson offers an unprecedented look at the rich yet largely untold story of African American cartoon artists. This book provides a historical record of the people who created seventy-plus comic strips, many editorial cartoons, and illustrations for articles. The volume covers the mid-1880s, the early years of the self-proclaimed Black press, to 1968, when African American cartoon artists were accepted in the so-called mainstream. When the cartoon world was preparing to celebrate the one hundredth anniversary of the American comic strip, Jackson anticipated that books and articles published upon the anniversary would either exclude African American a...