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The story of Malcolm Williamson is one of rare musical talent combined with outrageous behaviour. An Australia, Williamson was the first non-Briton to hold the post of Master of the Queen's Music. He was appointed in 1975 & looked set to further his career as a composer. But by the time of his death in 2003 he was largely forgotten.
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DigiCat Publishing presents to you this special edition of "English Eccentrics" by Edith Sitwell. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
An introduction to 70 songs from the contemporary vocal repertoire which provides advice on performance and suggestions on programming. It is designed for young singers and singing students.
The island is a powerful metaphor in everyday speech which extends almost naturally into several academic disciplines, including musicology. Islands are imagined as isolated and unique places where strange, exotic, different and unexpected treasures can be found by daring adventurers. The magic inherent within this positioning of islands as places of discovery is an aspect which permeates the theoretical, methodological and analytical boundaries of this edited book. Showcasing the breadth of current musicological research in Australia and New Zealand, this edited collection offers a range of subtle and innovative reflections on this concept both in established and well-charted territories of music research.
The symphony retained its primacy as the most prestigious large-scale orchestral form throughout the first half of the twentieth century, particularly in Britain, Russia and the United States. Likewise, Australian composers produced a steady stream of symphonies throughout the period from Federation (1901) through to the end of the 1950s. Stylistically, these works ranged from essays in late nineteenth-century romanticism, twentieth-century nationalism, neo-classicism and near-atonality. Australian symphonies were most prolific during the 1950s, with 36 local entries in the 1951 Commonwealth Jubilee Symphony competition. This extensive repertoire was overshadowed by the emergence of a new ge...
CDC Group Plc, formerly the Commonwealth Development Corporation, is the United Kingdom's Development Finance Institution. Wholly owned by the Department for International Development (DFID), it aims to help reduce poverty by supporting private sector development. CDC invests equity in private enterprises in developing countries in order to demonstrate to other investors that it is possible to make money in such countries, while at the same time creating sustainable jobs, paying taxes and following good social and environmental policies. DFID restructured CDC in 2004 in order to invest indirectly, through private fund managers. CDC invests largely in sub-Saharan Africa and South Asian enterp...
Letters by the British composer to his friends, family, and colleagues document his life from school days to the end of World War II.
When we think of Iris Murdoch’s relationship with art forms, the visual arts come most readily to mind. However, music and other sounds are equally important. Soundscapes – music and other types of sound – contribute to the richly textured atmosphere and moral tenor of Murdoch’s novels. This book will help readers to appreciate anew the sensuous nature of Iris Murdoch’s prose, and to listen for all kinds of music, sounds and silences in her novels, opening up a new sub-field in Murdoch studies in line with the emerging field of Word and Music Studies. This study is supported by close readings of selected novels exemplifying the subtle variety of ways she deploys music, sounds and silence in her fiction. It also covers Murdoch’s knowledge of music and her allusions to music throughout her work, and includes a survey of musical settings of her words by various composers.
Frontcover -- Contents -- List of Illustrations -- Plate Section 1 -- Plate Section 2 -- Plate Section 3 -- Preface -- Acknowledgements -- List of Abbreviations -- List of Cathedral Organists -- 1 Origins -- 2 A Fortuitous and Friendly Proposal -- 3 A Numerous Appearance of Gentry -- 4 'The Musick of my Admiration Handel' -- 5 The Gentlemen and the Players -- 6 Avoiding Shipwreck -- 7 Prima voce -- 8 Favourites and Flops -- 9 Sacred and Profane -- 10 Froissart -- 11 The Unreasonable Man -- 12 The Dream -- 13 Beyond these Voices -- 14 An Essentially English Institution -- 15 The Elgar Festivals -- 16 Dona nobis pacem -- 17 Recovery -- 18 Association -- 19 A New Epoch -- 20 Jubilee -- 21 Theme with Variations -- 22 Houses of the Mind -- 23 'A Gold-Plated Orchestra' -- 24 A New Millennium -- 25 Reorganisation -- 26 An Invitation to the Palace -- Appendix: Three Choirs Festival Timeline -- Select Bibliography -- Index