You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Accustomed to the dark, dripping stands of Douglas–fir, spruce and hemlock that blanketed the Hudson's Bay Company outposts on the remote western coast of the "new World" the first Europeans were surely startled to see the wide–open landscapes of the Garry oak meadows they encountered on Southern Vancouver Island ––– landscapes that might have reminded any explorers who had ventured into the African savannahs of what they had seen there. Though slow in comprehending what they had stumbled upon, the Europeans immediately recognized the deep, rich deposits of black soil that extended many feet below the surface, and James Douglas chose the site as the ideal location for the HBC's new...
Poems in Maleea Acker's second collection range over continents and countries, asking an essential question for our time: How do we live in the world? The poems seek always to approach that threshold between human and natural worlds, attending to what can be seen and sensed with a fine ear and eye. We meet one another at the threshold, through a "splice of intimacy," displaced, the poet says, finding temporary homes and intimacies with one another and with all living things.
The Earth is in crisis. We know this. We have known this for a long time. In the throes of the unfolding nightmare we call “capitalism” it is not hard to see and hear the violence that is being enacted against the planet. If we are to move beyond the idea that humanity is tasked with expressing our dominion over nature and towards a renewed integral understanding of humanity as firmly located within the biosphere, as an anarchist political ecology demands, then we have to start interrogating the privileges, hierarchies, and human-centric frames that guide our ways of knowing and being in the world. This volume centers around the idea that anarchism, as a conceptual framework, encourages us to contend with the multiple lines of difference, the various iterations of privilege, and the manifold set of archies that undergird our understandings of the world, and crucially, our place within it.
Maleea Acker’s dauntless new poetry collection is crafted with emotion and bold style. Any day now I shall be released to the Bangladesh runaway, its burnt out plane a little hulk from a different dimension, a researcher of longing, no one selling Heineken from a cooler in its unlit aisles, no one with a line to God. Acker’s poems hang on precipices of emotion. They cartwheel from sadness to glory, then break into blossoms in a drought-struck landscape of longing. These are poems filled with daring leaps and precise, deft metaphors. There is machinery, there are imaginaries; a dictator selects the musical soundtrack. The poems cajole and praise both the world and interior life with an erotic charge and enduring hope.
The Shimmering Is All There Is: On Nature, God, Science, and More is a collection of essays and poems by the late Heather Catto Kohout. A native of San Antonio, Heather was a disciplined and original thinker and writer. Her education, experience, and temperament--as a loving wife, mother, and daughter; a proud Texan; a teacher and scholar with graduate degrees in English literature and religion; and the founder of a residency program for environmental writers and artists at a ranch in the Texas Hill Country--permeate every word she wrote. She had a unique combination of empathetic imagination, profound spirituality, cosmic sensibility, and an ability to laugh--gently--at her fellow creatures...
None
Over the last several decades, scholars and practitioners have progressively acknowledged that we cannot consider cities as the place where nature stops anymore, resulting in urban environments being increasingly appreciated and theorized as hybrids between nature and culture, entities made of socio-ecological processes in constant transformation. Spanning the fields of political ecology, environmental studies, and sociology, this new direction in urban theory emerged in concert with global concern for sustainability and environmental justice. This volume explores the notion that connecting with nature holds the key to a more progressive and liberatory politics.
A beloved and bestselling Pacific Northwest classic, now available in paperback from Harbour Publishing! Widowed at the age of thirty-five, Muriel Wylie Blanchet packed up her five children in the summers that followed and set sail aboard the twenty-five-foot Caprice. For fifteen summers, in the 1920s and 1930s, the family explored the coves and islands of the BC coast, encountering settlers and hermits, hungry bears and dangerous tides, and falling under the spell of the region’s natural beauty. Driven by curiosity, the family followed the quiet coastline, and Blanchet—known as Capi, after her boat—recorded their wonder as they threaded their way between the snowfields, slept under the bright stars and wandered through Indigenous winter villages left empty in the summer months. The Curve of Time weaves the story of these years into a memoir that has inspired generations to seek out their own adventures on the wild west coast. First published in 1961, less than a year before the author died, Blanchet’s captivating work has become a classic of travel writing, and one of the bestselling BC books of all time.
A much-anticipated debut collection from one of Canada’s most promising emerging poets Pebble Swing earns its title from the image of stones skipping their way across a body of water, or, in the author’s case, syllables and traces of her mother tongue bouncing back at her from the water’s reflective surface. This collection is about language and family histories. It is the author’s attempt to piece together the resonant aftermath of the Chinese Cultural Revolution, which stole the life of her paternal grandmother. As an immigrant whose grasp of Mandarin is fading, Wang explores absences in her caesuras and fragmentation—that which is unspoken, but endures. The poems in this collect...
Poetry. Atmospherically light and stylistically expansive--poems that regard our givens as a gift. At the centre of THE LOST LETTERS is a sequence of radically diverse poems based on the story of Heloise and Abelard, truly lovers in a dangerous time, the twelfth century. The raw material is heavy, tension between flesh and spirit being the serious issue carried forward from the twelfth century into the twenty-first. But Greenwood's deft and delicate handling of scenarios of love requited but balked becomes a perceptive reading--extraordinarily inventive and constantly surprising--of contemporary secular society.