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What Men Live by
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WPA Artwork in Non-federal Repositories
An inventory of works of art produced under the Works Progress Administration, 1933-1943, located in non-Federal depositories, initiated by the Fine Arts Program of GSA.
Artist and Printer
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Kitsch, Propaganda, and the American Avant-Garde
This book details the dramatic history of the weaponization of avant-garde art as propaganda, from its violent origins selling the idealistic communism of revolutionary France to its use as an American weapon wielded against the Nazi and Soviet threat as World War II began. It shows how art became ammunition in the war of ideas as the protagonists of the Second World War attempted to control the minds of their people. The text highlights how the avant-garde was the battlefield for the epic struggle between collectivism and American individualism, and will appeal to the reader with an interest in vivid stories of art, history, and politics.
Arrivals of Life to the Galápagos
In this book, Guillermo Paz-y-Miño-C and Avelina Espinosa synthesize the events connecting the accidental discovery of the Galápagos Islands by Tomás de Berlanga in 1535 with Charles Darwin's exploration of the archipelago in 1835, Herman Melville's sketches of The Encantadas, or Enchanted Isles, of 1856, and the geopolitics to control Baltra Island, or "The Rock", where the United States established a military base from 1942 to 1946, during World War II. These themes are intertwined with discussions about the historical cartography of the Galápagos Islands, the geology of the archipelago, the hypotheses about the origins of the Galápagos terrestrial and marine organisms, and comparisons between Galápagos and other archipelagos, particularly Hawai'i. Offering over 250 figures and diagrams, this work will appeal to a broad audience, including professors in academia, college instructors, study-abroad and international field-trip leaders (with destination Galápagos), science writers, and policymakers.
The Piazza Tales and Other Prose Pieces, 1839-1860
Included are two sea tales that encompass the essence of Melville's art: "Benito Cereno", an exhilarating account of mutiny and rescue aboard a disabled slave ship, which is a parable of man's struggle against the forces of evil, and "The Encantadas", ten allegorical sketches of the Galapagos Islands, which reveal nature to be both enchanting and horrifying. Two pieces explore themes of isolation and defeat found in Melville's great novels: "Bartelby, the Scrivener", a prophetically modern story of alienation and loss on nineteenth-century Wall Street, and "The Bell Tower", a Faustian tale about a Renaissance architect who brings about his own violent destruction. The other two works reveal Melville's mastery of very different writing styles: "The Lightning-Rod Man", a satire showcasing his talent for Dickensian comedy, and "The Piazza", the title story of the collection, which anticipates the author's later absorption with poetry.
A Synthesis of the Galápagos
There are hundreds of books and thousands of scientific articles about the Galápagos. This volume is distinctive. The authors, Guillermo Paz-y-Miño-C and Avelina Espinosa, synthesize, integrate, and conceptualize the most recent evolutionary-biology research being conducted in the archipelago’s terrestrial and aquatic environments; the conflicts resulting from human interactions with nature, including local population growth and tourism practices in the context of short- and long-term conservation efforts; and make predictions about the destiny of the Galápagos’ unique biodiversity and landscapes under various scenarios of climate-change impacts, urbanization trends, diversification o...
