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Memoirs of Life and Literature
Reproduction of the original: Memoirs of Life and Literature by W. H. Mallock
The Lone Furrow
Recounts the remarkable story of Arthur Mallock, an army major who designed, built and constructed his own racing cars. Starting from a shed in his garden, Mallock created a dynasty of sports-racing cars of which more than 300 now exist. Mallock was regarded as one of the great pioneers of post-war motor racing in Britain.
The New Republic
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The Cemetery of Swallows
One day, Manuel Gemoni travels to the other end of the world to kill an old man in the Dominican Republic. When questioned by police, he can only explain his bizarre actions by saying, "I killed him because he had killed me." Unable to comprehend why an ordinary family man with no history of violent behavior would go to such lengths to kill a man he didn't even know, Police Commissioner Amédée Mallock decides to investigate. In order to save Manuel from death, the misanthropic Mallock must immerse himself in the harsh tropical jungles of the Dominican Republic and the snow-covered streets of Paris.
A Human Document
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The Faces of God
Murder and depravity are Police Commissioner Amédée Mallock's daily bread. As far as he is concerned, mankind has been thoroughly abandoned by God, and the visions that haunt him do nothing to disabuse him of this notion. But nothing he has encountered has prepared him for the sudden appearance of a serial killer dubbed "the Makeup Artist." The bodies of the killer's first victims, found in four separate neighborhoods of Paris, are monstrous works of art, baroque masterpieces of depravity, demented expressions of corrupted piety. These crimes are unprecedented in their ferocity and their intricacy, and the deeper Mallock investigates the greater the mysteries and the enigmas. There seems t...
Exposing Electronics
It is clear that artifacts have the power to provoke thought, inspire action and arouse passions. There is evidence of this in the ever-increasing number of museums as well as in the ability of those museums to stimulate controversy through exhibits. As a consequence, much has been written analyzing the interaction between objects and museum visitors. Less well recognized, or understood, is the value of objects for historical research. In this series of books we propose to show by example how artifacts can be employed in the study of the history of science and technology in ways ranging from motivating a line of research to providing hard evidence in the solution of an otherwise insoluble pr...
