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A ground-breaking study that looks at why European nations sent troops to take part in Hitler's invasion of the Soviet Union.
It is unquestionable that the warfare of various post-Cold War 'coalitions-of-the-willing' has drawn much attention over recent years. However, we may also notice that associations of nations fighting, or preparing to fight, for common causes are no novelty. Multi-national co-operation in fields as costly and as fateful as war depends on considerations and caveats concerning political purpose, risks, mutual trust, national wealth and pride, compatibility of military forces and a glut of inta ...
Despite the vast literature on genocide and mass violence during the 19th and 20th century, one question still haunts historians and the wider public alike: Why do ‘ordinary men’ use extreme violence against fellow human beings? “Empire, Ideology, Violence: The Long 20th Century” in Comparative Perspective offers innovative methods and interdisciplinary approaches to the study of extreme violence in the long 20th century. By looking at case studies from different regions and time periods the contributors shed more light on the social, political and economic contexts in which humans are inclined to use extreme forms of violence. Topics in the volume include case studies from Asia, Africa, Europe, the Ottoman Empire and the Nazi Third Reich.
The contributions of socialist thinkers and states to the development of international law often go unrecognized. Socialism and International Law: The Cold War and Its Legacies explores how socialist individuals and governments from Eastern Europe, Africa, and Asia made vital contributions to international law as it is practiced today, and also brought ideas and initiatives that constituted important disruptive moments in its history. The socialist world of the 20th century was an ambiguous and fragile construct: there were clear divisions between the Soviet-led Eastern Bloc, which kept one foot in Western Eurocentric traditions, and the positions of the radical Third World, primarily post-c...
This groundbreaking book explores the interpretative potential and analytical capacity of the concept ‘fascist warfare’. Was there a specific type of war waged by fascist states? The concept encompasses not only the practice of violence at the front, but also war culture, the relationship between war and the fascist project, and the construction of the national community. Starting with the legacy of the First World War and using a transnational approach, this collection presents case studies of fascist regimes at war, spanning Nazi Germany, Fascist Italy, Francoist Spain, Croatia, and Imperial Japan. Themes include the idea of rapid warfare as a symbol of fascism, total war, the role of modern technology, the transfer of war cultures between regimes, anti-partisan warfare as a key feature, and the contingent nature and limits of fascist warfare.
The book explores the complex, multi-directional connections of the "mobility/security nexus" in the re-ordering of states, empires, and markets in historical perspective. Contributing to a vivid academic debate, the book offers in-depth studies on how mobility and security interplay in the emergence of order beyond the modern state. While mobilities studies, migration studies and critical security studies have focused on particular aspects of this relationship, such as the construction of mobility as a political threat or the role of infrastructure and security, we still lack comprehensive conceptual frameworks to grasp the mobility/security nexus and its role in social, political, and econ...
The Italian Army’s participation in Hitler’s war against the Soviet Union has remained unrecognized and understudied. Bastian Matteo Scianna offers a wide-ranging, in-depth corrective. Mining Italian, German and Russian sources, he examines the history of the Italian campaign in the East between 1941 and 1943, as well as how the campaign was remembered and memorialized in the domestic and international arena during the Cold War. Linking operational military history with memory studies, this book revises our understanding of the Italian Army in the Second World War.
What happens when operas that are comfortably ensconced in the canon are thoroughly rethought and radically recast on stage? What does a staging do to our understanding of an opera, and of opera generally? While a stage production can disrupt a work that was thought to be established, David J. Levin here argues that the genre of opera is itself unsettled, and that the performance of operas, at its best, clarifies this condition by bringing opera’s restlessness and volatility to life. Unsettling Opera explores a variety of fields, considering questions of operatic textuality, dramaturgical practice, and performance theory. Levin opens with a brief history of opera production, opera studies, and dramatic composition, and goes on to consider in detail various productions of the works of Wagner, Mozart, Verdi, and Alexander Zemlinsky. Ultimately, the book seeks to initiate a dialogue between scholars of music, literature, and performance by addressing questions raised in each field in a manner that influences them all.