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Woman's voice and body are closely entwined in the Arabo-Islamic tradition, argues Fedwa Malti-Douglas in this pioneering book. Spanning the ninth through twentieth centuries and covering a wide range of texts—from courtly anectdote to mystical and philosophical treatises, from works of geography to autobiography—this study reveals how woman's access to literary speech has remained mediated through her body. Malti-Douglas first analyzes classical texts (both well-known works like The Thousand and One Nights and others still ignored in the West) in which the female voice, often associated with wit or trickery of a sexual nature, is subordinated to the male scriptor. Showing how early Arab...
Raised in a Lebanese mountain village, Fedwa Malti-Douglas came to America at the age of 13. After a rich academic career, Prof. Malti-Douglas turned her attention to other muses, publishing a novel in 1998, and poetry (incl. a chapbook of visual poetry). Fedwa’s honors include the 1997 Kuwait Prize in Arts & Letters, & the Nat. Humanities Medal for 2014, presented by Pres. Barack Obama. This volume tells the story of a family torn apart by divorce, death, and exile, & reunited by an inherited form of muscular dystrophy. It has been praised as “a memoir of unpitying clarity,” “deeply moving & arresting,” which “crosses landscapes of sadness, of happiness, of pain & peace, of alienation & acceptance, toward a healing enlargement of the soul.” Color photos.
In this work, the autobiographical writings of three leading women in today's Islamic revival movement reveal dramatic stories of religious transformation.
With contributions from specialists in different areas of classical Islamic thought, this accessible volume explores the ways in which medieval Muslims saw, interpreted and represented the world around them in their writings. Focusing mainly on the eighth to tenth centuries AD, known as the ‘formative period of Islamic thought’, the book examines historiography, literary prose and Arabic prose genres which do not fall neatly into either category. Filling a gap in the literature by providing detailed discussions of both primary texts and recent scholarship, Writing and Representation in Medieval Islam will be welcomed by students and scholars of classical Arabic literature, Islamic history and medieval history.
The discipline of Middle Eastern studies in the West has often been resistant to incorporating new theoretical and conceptual paradigms. Arab Comic Strips provides at least one indicator that this trend has begun to change. The study reflects the influence of both political economy and post-modernism. The former's influence can be seen in the authors' focus on mass culture and "history from below," while the latter's manifests itself in the authors' use of semiotics and their eschewal of any linear model of social change or totalizing discourse. The strengths of Arab Comic Strips lie in its comprehensive treatment of the genre it scrutinizes. The authors present extensively detailed studies ...
The three-volume life-story of the Egyptian intellectual Tahah Husayn (1889-1973) is a landmark in modern autobiography, in Arabic letters, and in the literature of blindness. This justly celebrated text, however, has never been subjected to the sustained literary analysis here presented by Fedwa Malti-Douglas. Born into a modest family and blinded in childhood, Husayn nevertheless conquered first his own and then a European educational system to become one of his country's leading modernizers. Professor Malti-Douglas shows that the personal, social, and literary reality of the hero's blindness gives the autobiography its unity and force. Blindness and Autobiography is not only a rich explic...
From rulers to uninvited guests, from women to thieves, from dreams to names, from blindness to torture - in a series of ground-breaking studies, Power, Marginality, and the Body in Medieval Islam explores the multi-layered and complex textual universe of medieval Islam. The power of the ruler sits alongside the power of the trickster, as games of detection and verbal erudition are displayed for the edification of the reader. Humour is not lacking either as male and female characters indulge in various forms of wit that redefine and recast the sacred. For much of this world, the body reigns supreme: not only in illness and miracle cures but in displays of transgression and torture. Covering the range of literature from sacred text to history, biography and anecdote, this book provides a stimulating analysis of the world of medieval Islamic mentalités.
In this text, the author explores what she argues is an indissoluble link between war and sexuality. She explores the connections among sexuality, war, nationalism, pacifism, violence, love and power as they relate to the body, the partner, the family, political ideologies and religion.
Woman's voice and body are closely entwined in the Arabo-Islamic tradition, argues Fedwa Malti-Douglas in this pioneering book. Spanning the ninth through twentieth centuries and covering a wide range of texts--from courtly anecdote to mystical and philosophical treatises, from works of geography to autobiography--this study reveals how woman's access to literary speech has remained mediated through her body. Malti-Douglas first analyzes classical texts (both well-known works like The Thousand and One Nights and others still ignored in the West) in which the female voice, often associated with wit or trickery of a sexual nature, is subordinated to the male scriptor. Showing how early Arabo-Islamic discourse continues to influence contemporary Arabic writing, she maintains that today feminist writers of novels, short stories, and autobiography must work through this tradition, even if they subvert or reject it in the end. Whereas woman in the classical period speaks through the body, woman in the modern period often turns corporeality into a literary weapon to achieve power over discourse.
This collection of interdisciplinary essays on a unique work by a physician and political figure in 12th-century Spain and North Africa casts important light on the social and intellectual history of the period and breaks new ground in the critical assessment of medieval Arabic literary works.