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Dan Ge Performance
Ge, formerly translated as "mask" or "masquerade," appears among the Dan people of Côte d'Ivoire as a dancing and musical embodiment of their social ideals and religious beliefs. In Dan Ge Performance, Daniel B. Reed sets out to discover what resides at the core of Ge. He finds that Ge is defined as part of a religious system, a form of entertainment, an industry, a political tool, an instrument of justice, and a form of resistance—and it can take on multiple roles simultaneously. He sees genu (pl.) dancing the latest dance steps, co-opting popular music, and acting in concert with Ivorian authorities to combat sorcery. Not only are the bounds of traditional performance stretched, but Ge performance becomes a strategy for helping the Dan to establish individual and community identity in a world that is becoming more religiously and ethnically diverse. Readers interested in all aspects of expressive culture in West Africa will find fascinating material in this rich and penetrating book.
The Unity of Music and Dance in World Cultures
This study surveys music and dance from a global perspective, viewing them as a composite whole found in every culture. To some, music means sound and body movement. To others, dance means body movement and sound. The author examines the complementary connection between sound and movement as an element of the human experience as old as humanity itself. Music and dance from Africa, the Americas, Asia, Europe, the Middle East and the South Pacific are discussed.
Ge Performance
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African Ethnonyms
A reference of some 2,500 names of specific African ethnic groups. Emphasis is on the art of sub-Saharan Africa, with art broadly interpreted to include ornamental design, architecture, textiles, and body adornment as well as the traditional arts of masks and sculpture. Organized alphabetically, entries list countries where groups are located and language name. A secondary index lists groups by country and provides notes on historical colonial occupation, languages, and print resources. For librarians, museum scholars, and researchers in art history, anthropology, linguistics, and African studies. Annotation copyright by Book News, Inc., Portland, OR
Secrecy
A stunning collection of essays and photos of artwork, published by the Museum for African Art, 593 Broadway, New York, NY 10012, in conjunction with an exhibition organized and presented by the Museum. New interest has been ignited in looking at African art for its ideas--for the visual expression of "solutions that African civilizations have invented to problems that still vex us--problems of the environment, of healing, of social and spiritual strength and cohesion--these African ideas now attract and surprise with the power that African sculptural forms did in the early century..." (from the introductory essay). The theme of secrecy is profound and far reaching. Annotation copyright by Book News, Inc., Portland, OR
Arts d'Afrique noire
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Ton nom est qui?
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Paintings
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