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A Poetry Book Society Spring 2021 Special Commendation. Edited by Michael Schmidt and John McAuliffe, this is the latest in Carcanet's celebrated introductory anthology series presenting work by two dozen poets writing in English from around the world. Jason Allen-Paisant, Chad Campbell, Conor Cleary, Hal Coase, Jade Cuttle, Jennifer Edgecombe, Charlotte Eichler, Suzannah V. Evans, Parwana Fayyaz, Maryam Hessavi, Holly Hopkins, Rebecca Hurst, Victoria Kennefick, Jenny King, Joseph Minden, Benjamin Nehammer, Stav Poleg, Nell Prince, Padraig Regan, Tristram Fane Saunders, Colm Tóibín, Joe Carrick-Varty, Christine Roseeta Walker, and Isobel Williams.
'Borel was the sun,' said Théophile Gautier, 'who could resist him?' Indeed, who? A lycanthrope, necrophile, absurd revolutionary, Paris dandy with a scented beard, flamboyant sufferer: a man with no grave and no memorial. His once celebrated red mouth opened briefly 'like an exotic flower' to complain of injustice and bourgeois vulgarity; of his frustration in love and reputation; of poverty and blighted fate. Then he withered in the minor officialdom of Algeria, where he died because he would not wear a hat, leaving a haunted house and a doubtful name. 'And now,' says his only biographer Dame Enid Starkie, 'he is quite forgotten.' Rhapsodies 1831 includes all the poems Borel wrote when he...
A new collection from this widely-celebrated and much-loved poet.
To mark the 50th anniversary of Bloody Sunday and its commemoration in Derry in January 2022, Carcanet is proud to publish a new edition of Thomas Kinsella's Butcher's Dozen, with a prologue from the Saville Report, an epilogue from the Prime Minister's House of Commons apology, and a new author's note.
Interviews with Ireland's major writers and artists, reflecting on how much their country has changed during the past 15 years.
Shortlisted for the Michael Murphy Memorial Prize 2023 Winner of the Poetry Category OCM Bocas Prize for Caribbean Literature 2022 An Irish Times Best Poetry Books of 2021 A White Review Book of the Year 2021 Jason Allen-Paisant grew up in a village in central Jamaica. 'Trees were all around,' he writes, 'we often went to the yam ground, my grandmother's cultivation plot. When I think of my childhood, I see myself entering a deep woodland with cedars and logwood all around. [...] The muscular guango trees were like beings among whom we lived.' Now he lives in Leeds, near a forest where he goes walking. 'Here, trees represent an alternative space, a refuge from an ultra-consumerist culture......
Edna St Vincent Millay (1892–1950) was one of the most popular American writers of her generation, and the first woman to win the Pulitzer Prize for Poetry. Thomas Hardy once remarked that America had only two great wonders to show the world: skyscrapers, and the poetry of Edna St Vincent Millay. Poems and Satires restores that wonder to view, while also revealing Millay as a more innovative and versatile talent than she is usually given credit for being. It includes some of her wickedly funny satires (published under the pseudonym Nancy Boyd, out of print since 1924), as well as her acclaimed play Aria da Capo, and reveals her to be not only the defining 'flapper' poet of the 1920s but a crucial voice for the 2020s. The 'fierce and trivial' persona she cultivated in her early lyric poems and sonnets – with their dazzling wit and daring attitudes towards love and sexuality – captured the whirl of bohemian life in New York. In her genre-defying satires, she questioned society's treatment of women and artists in surreal stories and plays, non-fiction and spoof agony aunt letters, and even a Handmaid's Tale-esque dystopia disguised as an almanac from the future.
Shortlisted for the 2022 Jhalak Prize The Poetry Book Society Winter Choice 2021 Vahni Capildeo's Like a Tree, Walking is a fresh departure, even for this famously innovative poet. Taking its title from a story of sight miraculously regained, this book draws on Capildeo's interest in ecopoetics and silence. Many pieces originate in specific places, from nocturnes and lullabies in hilly Port of Spain to 'stillness exercises' recording microenvironments – emotional and aural – around English trees. These journeys offer a configuration of the political that makes a space for new kinds of address, declaration and relation. Capildeo takes guidance from vernacular traditions of sensitivity ranging from Thomas A Clark and Iain Crichton Smith to the participants in a Leeds libraries project on the Windrush. Like a Tree, Walking is finally a book defined by how it writes love.
England and the English is Ford Madox Ford's three-volume exploration of what it means to be English, here published in a single volume for the first time in the United Kingdom. Starting with the brilliantly impressionistic evocations of the chaotic energy of modern London in the first part, Ford proceeds to delve into the rural past that has always been identified as being at the heart of England, before concluding with an investigation of the formation of the English character. Throughout, Ford is the watchful outsider, perceptive, humorous and affectionate towards the complexities of Englishness. A fascinating introduction to the style and preoccupations of this seminal Modernist writer, England and the English has particular resonance for our own times when the sense of national identity is again under scrutiny. This edition includes Ford's preface to the one-volume American edition. Sara Haslam's introduction sets the trilogy in its contemporary context and outlines its significance in Ford's work.
Shortlisted for the Lucien Stryk Asian Translation Prize 2023 Shortlisted for the National Translation Award in Poetry 2023 by the American Literary Translators Association The Poetry Book Society Spring 2022 Translation Choice Chinese poetry is unique in world literature in that it was written for the best part of 3,000 years by exiles, and Chinese history can be read as a matter of course in the words of poets. In this collection from the Tang Dynasty are poems of war and peace, flight and refuge but above all they are plain-spoken, everyday poems; classics that are everyday timeless, a poetry conceived "to teach the least and the most, the literacy of the heart in a barbarous world," says...