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Edmund Spenser and the Romance of Space
Edmund Spenser and the romance of space advances the exploration of literary space into new areas, firstly by taking advantage of recent interdisciplinary interests in the spatial qualities of early modern thought and culture, and secondly by reading literature concerning the art of cosmography and navigation alongside imaginative literature with the purpose of identifying shared modes and preoccupations. The book looks to the work of cultural and historical geographers in order to gauge the roles that aesthetic subjectivity and the imagination play in the development of geographical knowledge: contexts ultimately employed by the study to achieve a better understanding of the place of Ireland in Spenser's writing. The study also engages with recent ecocritical approaches to literary environments, such as coastlines, wetlands, and islands, thus framing fresh readings of Spenser's handling of mixed genres.
Rereading Chaucer and Spenser
Rereading Chaucer and Spenser: Dan Geffrey with the New Poete offers dynamic new approaches to the relationship between the works of Geoffrey Chaucer and Edmund Spenser. Contributors draw on current and emerging preoccupations in contemporary scholarship and offer new perspectives on poetic authority, influence, and intertextuality.
Antisemitism and the Left
A highly original conceptual study of the opposing faces of universalism, its stimulation for Jewish emancipation and the struggle for its rescue from repressive, antisemitic associations.
Edmund Spenser's Shepheardes Calender (1579)
Recontextualizing Edmund Spenser's Shepheardes Calender in relation to book history, this study analyses the first edition of 1579 as a material text, and provides the first clearly detailed facsimile available as a book. By illuminating the 1579 Calender's development, this volume much advances understanding of Spenser and Elizabethan culture.
Spenser and Donne
This edited collection of essays, part of The Manchester Spenser series, brings together leading Spenser and Donne scholars to challenge the traditionally dichotomous view of these two major poets and to shift the critical conversation towards a more holistic, relational view of the two authors’ poetics and thought.
God's Only Daughter
This full-length study is devoted to Una, the beleaguered but ultimately triumphant heroine of book one of 'The Faerie Queene'. Challenging the standard identification of Spenser's Una with the post-Reformation Church in England, it argues that she stands, rather, for the community of the redeemed, the invisible Church, whose membership is known by God alone.
English literary afterlives
English Literary Afterlives traces life narratives of early modern authors created for them after their deaths by readers or publishers, who retrospectively tried to make sense of the author’s life and works. In a series of case-studies of the reception history of major poets – Sidney, Spenser, Donne, Herbert, as well as Robert Greene, the first ‘celebrity author’ – within a generation of their deaths, it shows how those authors were posthumously fashioned and refashioned. It argues that during the early modern period there is a gradual movement towards biographical readings that attempt to find the author in the works, which in turn led to the emergence of written lives that consider poets not in terms of their ‘public’ lives but in terms of their poetic activity, i.e. the beginnings of literary biography. Will be of interest to students and scholars of several canonical early modern authors.
Spenserian satire
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Scholars of Edmund Spenser have focused much more on his accomplishments in epic and pastoral than his work in satire. Scholars of early modern English satire almost never discuss Spenser. However, these critical gaps stem from later developments in the canon rather than any insignificance in Spenser's accomplishments and influence on satiric poetry. This book argues that the indirect form of satire developed by Spenser served during and after Spenser's lifetime as an important model for other poets who wished to convey satirical messages with some degree of safety. The book connects key Spenserian texts in The Shepheardes Calender and the Complaints volume with poems by a range of authors in the late sixteenth and early seventeenth centuries, including Joseph Hall, Thomas Nashe, Tailboys Dymoke, Thomas Middleton and George Wither, to advance the thesis that Spenser was seen by his contemporaries as highly relevant to satire in Elizabethan England.
William Shakespeare and John Donne
William Shakespeare’s The Rape of Lucrece and John Donne’s Holy Sonnets are read against the background of concepts of the soul during the early modern period. This approach provides new insights into concepts of interiority and performance as well as a new understanding of the soliloquy in both poetry and drama.
