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A Harmony of Interests
Manfred Weidhorn explores this emerging conservatism through consideration of different Churchillian interests - such as domestic issues and the concept of imperial mission. The most complex aspect of Churchill's conservatism is his ambivalence to war. A closer reading of his utterances and of the observations of those about him suggests a definite and idiosyncratic love of war. Clear too, says Weidhorn, is that violence was a means - not an end - for Churchill. A man of peace, Churchill's extremity in posing issues sometimes made peace elusive. But in the crunch of 1940, his eccentricity, or obsession, became Western Civilization's salvation. During his years in the wilderness, Churchill wrote a huge biography of his ancestor, the Duke of Marlborough. Besides presenting the Duke - a brilliant general much maligned for avarice and warmongering - in a favorable way, his work sheds an interesting light on the imminent World War II.
Robert E. Lee
Robert E. Lee's life has been regarded as one of great honor and esteem and he has been a man admired for his loyalty, patriotism, and conduct as not only an American, but also a Virginian. And when he made the decision to turn down Lincoln's offer to command a large army of Union Soldiers in the war against the secession, and instead chose to extend his loyalty to the Confederate Army, his intentions were to defend his land and the people in Virginia and not to fight for either secession or slavery. Lee's patriotism of an unfamiliar shade confused some, but made consequential waves in the Civil War. He followed in the footsteps of his father, a Revolutionary War General, and is here portrayed by Weidhorn as the "finest general of the Civil War", a title he honorably earned.
When the Bad Bleeds
Mantic elements are manifold in the English drama of the Renaissance period: they are supernatural manifestations and have a prophetic, future-determining function within the dramatic plot, which can be difficult to discern. Addressing contemporaries of Shakespeare, this study interprets a representative number of revenge tragedies, among them The Spanish Tragedy, The White Devil, and The Revenger's Tragedy, to draw general conclusions about the use of mantic elements in this genre. The analysis of the cultural context and the functionalisation of mantic elements in revenge tragedy of the Elizabethan, Jacobean, and Caroline era show their essential function in the construction of the plot. Mantic elements create and stimulate audience expectations. They are not only rhetoric decorum, but structural elements, and convey knowledge about the genre, the fate of which is determined by retaliation. An interpretation of revenge tragedy is only possible if mantic providentialism is taken into account.
Napoleon
NAPOLEON—SOLDIER, EMPEROR, LOVER... This magnificent reconstruction of Napoleon’s life and legend is written by a distinguished Oxford scholar. It is based on newly discovered documents—including the personal letters of Marie-Louise and the decoded diaries of General Bertrand, who accompanied Napoleon to his final exile on St. Helena. It has been hailed as the most important single-volume work in Napoleonic literature. “Mr. Markham’s book is notable...a well-balanced study of a man vastly bigger than his 5 feet 6 inches, who has been for generations one of the most fascinating of subjects for biography.”—Mark S. Watson, Baltimore Evening Sun “A surprisingly sympathetic biogra...
Constitutional Royalism and the Search for Settlement, C.1640-1649
An investigation into the 'Constitutional royalists' and their role in the English Revolution.
Jew and Gentile in the Ancient World
Relations between Jews and non-Jews in the Hellenistic-Roman period were marked by suspicion and hate, maintain most studies of that topic. But if such conjectures are true, asks Louis Feldman, how did Jews succeed in winning so many adherents, whether full-fledged proselytes or "sympathizers" who adopted one or more Jewish practices? Systematically evaluating attitudes toward Jews from the time of Alexander the Great to the fifth century A.D., Feldman finds that Judaism elicited strongly positive and not merely unfavorable responses from the non-Jewish population. Jews were a vigorous presence in the ancient world, and Judaism was strengthened substantially by the development of the Talmud....
The Tragic Paradox
Paradox informs the narrative sequence, images, and rhetorical tactics contrived by skilled dramatists and novelists. Their literary languages depict not only a war between rivals but also simultaneous affirmation and negation voiced by a tragic individual. They reveal the treason, flux, and duplicity brought into play by an unrelenting drive for respect. Their patterns of speech, action, and image project a convergence of polarities, the convergence of integrity and radical change, of constancy and infidelity. A fanatical drive to fulfill a traditional code of masculine conduct produces the ironic consequence of de-forming that code—the tragic paradox. Tragic literature exploits irony. In...
Samuel Johnson and Biographical Thinking
Catherine N. Parke offers new readings of Johnson's major prose writings, the familiar and the not so familiar. Through an inquiry into the centrality of biography in his thinking, she examines Johnson's ideas about education, portrays his habits of mind, and explores his creative temperment.
Political Economy, Capitalism, and Popular Culture
What does The Dark Knight have to do with political economy or Lord of the Flies with capitalism? A great deal, argues Ronnie D. Lipschutz in this entertaining and enlightening guide to basic concepts and practices in capitalism, neoclassical economics, and political economy. As he convincingly illustrates, film and fiction occupy a dual role in today's economy. They are the products of the economy, designed and presented as commodities to be sold in great quantities even as they serve to reproduce social beliefs and practices (e.g., torture comes to be seen as a routine and necessary means of extracting intelligence from suspects). Drawing on film and fiction from the past sixty years, Lipschutz describes and analyzes their essential role in the production and reproduction of contemporary society. His thoughtful and imaginative critique will bring to life the concepts and practices of economics and political economy for all readers.
