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Insights from curators, academics and practising photographers into the work of a cross-section of today's photographers, well-known and lesser-known alike. The work of such luminaries as Tacita Dean, Robert Frank, Daido Moriyama, Richard Mosse, Ed Ruscha, Fiona Tan, Garry Winogrand and Francesca Woodman is closely examined and set in context.
In recent years, artists, architects, activists and curators, as well as corporations and local governments have addressed the urban space. They challenge its use and destination, and dispute current notions of space, legality, trade and artistry. Emerging art practices challenge old ideas about where art belongs, what forms it can take and what political discourses it fosters. Selected from papers presented at the 2013 Artscapes conference in Canterbury, this collection of new essays explores the dynamic relationship between art and the city. Contributors discuss the everyday artistic use of public space around the world, from sculpture to graffiti to street photography.
Urban Comics: Infrastructure and the Global City in Contemporary Graphic Narratives makes an important and timely contribution both to comics studies and urban studies, offering a decolonisation and reconfiguration of both of these already interdisciplinary fields. With chapter-length discussions of comics from cities such as Cairo, Cape Town, New Orleans, Delhi and Beirut, this book shows how artistic collectives and urban social movements working across the global South are producing some of the most exciting and formally innovative graphic narratives of the contemporary moment. Throughout, the author reads an expansive range of graphic narratives through the vocabulary of urban studies to...
Part-travelogue, the novel chronicles a Third World country gone amok. It is told through the eyes of John Prideaux, a British film maker in the Philippines. A tale of corruption, sexual exploitation, slums and sweatshops. By the author of The Great Deep.
A privileged son of an English actress and an American tobacco exporter, Prising was a wealthy, pampered child in the 1930s Far East. When his parents were caught up in the Philippine occupation, the boy was separated from them and interned at Santo Tomas for three years, where his life changed dramatically.