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In this volume, a team of internationally respected contributors theorize the concept of aesthetic experience and its value. Exposing and expanding our restricted cultural and intellectual presuppositions of what constitutes aesthetic experience, the book aims to re-explore and affirm the place of aesthetic experience--in its evaluative, phenomenological and transformational sense--not only in relation to art and artists but to our inner and spiritual lives.
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No detailed description available for "Panini".
This 1988 book was the first full-length study ever to be published on the subject of sign language as a means of communication among Australian Aborigines. Based on fieldwork conducted over a span of nine years, the volume presents a thorough analysis of the structure of sign languages and their relationship to spoken languages.
What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a theoretically vibrant and historically informed set of replies in the oeuvre of the eleventh-century Kashmirian author Abhinavagupta. The present book offers the first critical edition, translation, and study of a crucial and lesser known passage of his commentary on the Nāṭyaśāstra, the seminal work of Sanskrit dramaturgy. The nature of dramatic acting and the mimetic power of dance, emotions, and beauty all play a role in Abhinavagupta’s thorough investigation of performance aesthetics, now presented to the modern reader.
This volume presents a comprehensive study of the urbanization of Bengal from ancient to postcolonial times. It analyses the notion of urban space, examines the institutions which constitute the ‘urban’, and explores the crises brought about by the Partition. The book highlights the key features of urbanization in colonial Bengal––the print culture, institutions of Western education and Western medicine, and the census as a ‘modern form of knowledge’. It also looks at the refugee movement and discusses the contribution of Partition refugees in urbanizing Bengal. Rich in archival sources, this book will be indispensable for scholars and researchers of urban history, urban studies, Indian history, colonial history, postcolonial studies, partition studies, and South Asian history, particularly those interested in Bengal.
This book portrays Keshub Chunder Sen as one of the makers of modern India. The six chapters in the book depicts Keshub Sen as a philosopher and thinker, a journalist and a prose-maker. The book also describes Keshub's role as a social reformer and spokesman of India. Keshub Chunder's contribution to India's Renaissance in the nineteenth century is also detailed in this book.
The Classical Music Of The India-Pakistan-Bangladesh Subcontinent Is One Of The New Ancient Art Forms Still Widely Practised Today. In Recent Years It Has Been Much Appreciated All Over The World. This Book, Written By Indian Writers, Serves To Deepen That Appreciation To Understanding. It Covers The Philosophy And History Of Indian Music Clearly And Concisely And Relates Its Growth And Development To Social, Cultural, Religious And Political Factors. India S Musical Contacts With The East And West Are Also Discussed And Their Value Assessed. The Technical Chapters Explain The Raga And Tala Systems, The Numerous Instruments From North And South Are Described In Detail With The Help Of Excell...
An astonishing variety of theatrical performances may be seen in the eight countries of Southeast Asia-Burma, Cambodia, Indonesia, Laos, Malaysia, the Philippines, Thailand, and Vietnam. Brandon's lively, wide-ranging discussion points out interesting similarities and differences among the countries. Many of his photographs are included here.