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Robert Fawcett
Robert Fawcett who was known by his peers as 'The illustrator's illustrator', is recently chronicled in a book by Auad publishing, a well known publisher for quality books on artists from the turn of the century to the 'Golden Age of Illustration'. Walt Reed who is a legend in his own time as an artist and a purveyor of famous artists for almost a century was a personal friend of Robert Fawcett wrote the introduction for the book. The book will contain more than a hundred color illustrations and numerous black and white drawings. These are images which have long been out of circulation and are largely unavailable today. Many of the images from the book were made from the originals which have been hidden away for decades by private collectors so the quality will be superior to the images published in magazines decades ago. The book will measure 9X12", Hardcover with a dust jacket, 182 pages plus a fold-out. Best of all, the 12 Fawcett Sherlock Holmes illustrations will be together in a book for the first time, some taken from the original paintings.
Austin Briggs
This book is the latest volume in our series highlighting the great American Magazine Illustrators. This handsome book is a 9x12 hardcover with dust jacket and features 160 pages of some of his best black and white art and a great selection of color illustrations. There is comprehensive biography of Austin Briggs by David Atoff and a foreword by his son, Austin Briggs, Jr.
Taint the Meat…It's the Humanity!
Tales From the Crypt was the quintessential American horror comic book, and Jack Davis the quintessential Tales From the Crypt artist: A brilliant virtuoso whose long-limbed, cartoony-but-hyperdetailed slapstick both cut against and amplified the weird and nauseating grotesqueries that spilled from the EC Comics writers’ fevered minds, including ― as seen in this volume ― “’Taint the Meat... It’s the Humanity,” an evil-butcher horror story that ends pretty much like you’d expect any evil-butcher horror story to end. Presenting the classic EC material in reader-friendly, artist-and-genre-centric packages for the first time, ’Taint the Meat collects every one of Davis’s 24 ...
One for the Road
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Masters Of Spanish Comic Book Art
Masters of Spanish Comic Book Art is a celebration of the great artists who revolutionized horror comics in the 1970s with their work on Warren's Vampirella, Creepy, and Eerie horror comics. This first-ever comprehensive history of Spanish comic books and Spanish comic artists reveals their extraordinary success -- not just in Spain and America, but around the world. Containing artwork from over 80 artists, this in-depth retrospective includes profiles of such legends as Esteban Maroto, Sanjulian, Jose Gonzalez, Jordi Bernet, Enrich, Victor De La Fuente, Jose Ortiz and Luis Garcia Mozos. With 500 illustrations, over half scanned directly from the original artwork, Masters Of Spanish Comic Book Art honors the "Golden Generation" whose artwork inspired the imagination of comic book lovers everywhere.
Pop Surrealism
With its origins in the 1960s hot rod culture and underground comix and rock music posters, Pop Surrealism/Lowbrow Art has evolved and expanded into the most vilified, vital, and exciting movement in contemporary art. Pop Surrealism is the first book to offer a comprehensive survey of this movement featuring twenty-three of today's most important and interesting artists.
Comics and Modernism
Contributions by David M. Ball, Scott Bukatman, Hillary Chute, Jean Lee Cole, Louise Kane, Matthew Levay, Andrei Molotiu, Jonathan Najarian, Katherine Roeder, Noa Saunders, Clémence Sfadj, Nick Sturm, Glenn Willmott, and Daniel Worden Since the early 1990s, cartoonist Art Spiegelman has made the case that comics are the natural inheritor of the aesthetic tradition associated with the modernist movement of the early twentieth century. In recent years, scholars have begun to place greater import on the shared historical circumstances of early comics and literary and artistic modernism. Comics and Modernism: History, Form, and Culture is an interdisciplinary consideration of myriad social, cul...
Secret Teachings of a Comic Book Master
This unique work, full of insight on composition and other techniques, features interviews with the legendary comic artist as well as pages from his masterwork Voltar. It also includes Introductions by Gil Kane and Roy Thomas.
Horror Comics in Black and White
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
Weird Heros #1, A New American Pulp!
Weird Heroes is a collective effort to do something new: to approach three popular heroic fantasy forms—science fiction, the pulps and the comics—from different and exciting directions. Each story in this book is experimental. There are revitalizations of classic fantasy themes such as time travel and jungle adventure. There is innovative use of some of the most dynamic graphic story talent in the world, from Philippino illustrator Alex Nino to American cartoonist Ralph Reese. There is a strong and conscious effort to encourage storytelling which does not rely on violence as a primary source of drama. Weird Heroes is a collective effort to give back to heroic fiction its thrilling sen...
