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An in-depth study of the thought of contemporary Spanish philosopher Julian Marias, in the context of Ortega y Gasset and his times and twentieth-century Spanish culture.
This book is a critical introduction for English-speaking philosophers to the main lines of thought of José Gaos, an outstanding twentieth-century philosopher who was active first in Spain and then in Mexico. The study traces philosophical methods and cultural themes in Spain, the European continent in general, and Latin America. The author skillfully applies phenomenology to the deep questions raised by Gaos concerning being, time, language, and meaning. Peter Cocozzella has painstakingly translated this ground-breaking study from Italian. Myra Moss and Giovanni Gullace have added useful introductory material. A comprehensive bibliography is included. Values in Italian Philosophy (VIP) offers the English-speaking world outstanding works by classic and contemporary Italian thinkers as well as books on Italian philosophy.
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A New History of Spanish Writing, 1939 to the 1990s explores the diversity of some sixty years of imaginative writing by Spaniards, its interactions with Spain's peculiarly dramatic history since the end of its Civil War, and its wider thematic significance. It covers the famous and canonical texts of the most recent in Modern Spanish literature but also explores areas less well-known outside Spain (essays and editorials, queer narrative, new poetry, comics, and texts of the militant and reactionary Right). More space than is usual in literary histories is allowed for commentary on famous texts, but the book also makes room for the marginalized and for socially contextualized explorations of the interconnectedness of various forms of writing. The overall structure is not chronological but thematic, dealing with abstract and topical issues such as silence, the family, or realism.
An account of the fierce repression and economic misery in wartime Spain 1936-45.
The authors in this anthology explore how we are to rethink political and social narratives of the Spanish Civil War at the turn of the twenty-first century. The questions addressed here are based on a solid intellectual conviction of all the contributors to resist facile arguments both on the Right and the Left, concerning the historical and collective memory of the Spanish Civil War and the dictatorship in the milieu of post-transition to democracy. Central to a true democratic historical narrative is the commitment to listening to the other experiences and the willingness to rethink our present(s) in light of our past(s). The volume is divided in six parts: I. Institutional Realms of Memo...
With the intense economic development and accelerated modernization experienced by Spain since the 1970s, and especially following its entrance to the European Economic Community in 1986, the country has undergone a rapid inversion in migratory patterns. After being an exporter of economic migrants for almost a century, in the last 20 years Spain has seen itself on the receiving end of immigration. Coinciding with a time when Spain is highlighting its belonging to Europe, the growing presence of Moroccan immigrants in particular confronts Spanish society with the repressed non-European, African and Oriental aspects of its national identity. The Return of the Moorexamines the anxiety over sym...
Antonio Machado (1875-1939) is one of Spain’s most original and renowned twentieth-century poets and thinkers. From his early poems in Soledades. Galerías. Otros poemas of 1907, to the writings of his alter-ego Juan de Mairena of the 1930s, Machado endeavoured to explain how the Other became a concern for the self. In The Poetics of Otherness in Antonio Machado’s “Proverbios y cantares,” Nicolás Fernández-Medina examines how Machado’s “Proverbios y cantares,” a collection of short, proverbial poems spanning from 1909 to 1937, reveal some of the poet’s deepest concerns regarding the self-Other relationship. To appreciate Machado’s organizing concept of otherness in the ...