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The Santurce Crabbers
The first owner of the Santurce Crabbers, Pedrin Zorrilla, was a visionary, with many Negro League and big league contacts (he signed up Josh Gibson, Satchel Paige, Roy Campanella, Ray Dandridge and Leon Day in the first decade). Santurce was the most successful winter league team of the 1950s, with three Caribbean Series titles. Roberto Clemente, Ruben Gomez, Willie Mays, Willard Brown and Bob Thurman played for the Crabbers. Tom Lasorda used to pitch for them. Santurce set up working agreements with the Giants, Orioles, Dodgers and Astros, among other teams. Earl Weaver and Frank Robinson were team managers; several Hall of Famers were early-career Crabbers. Orlando Cepeda and Tony (Tany) Perez played their entire winter league careers with Santurce.
Entangled peripheries. New contributions to the history of Portugal and Morocco
The main aim of this volume is to explore the continuity of Portuguese-Moroccan relations before and, especially, after the classic period of the 11th-16th centuries. Its title, “Entangled peripheries”, is a conceptual attempt to account for the contradiction between the resilience of bilateral contacts and exchanges and its decreasing relevance for both sides of the Strait of Gibraltar. Although most chapters focus on topics of the 18th-20th centuries, the contributions dealing with the medieval and early modern periods provide a long durée perspective typical of “entangled history”. Other distinctive elements of this historiographical current are also present, such as the circulat...
Historical Abstracts
Vols. 17-18 cover 1775-1914.
Topographies of Fascism
Topographies of Fascism offers the first comprehensive exploration of how Spanish fascist writing essays, speeches, articles, propaganda materials, poems, novels, and memoirs represented and created space from the early 1920s until the late 1950s. Nil Santiáñez contends that fascism expressed its views on the state, the nation, and the society in spatial terms (for example, the state as a building, the nation as an organic unity, and society as the people's community), just as its adherents celebrated fascism in its architecture, public spectacles, and military rituals. While Topographies of Fascism centres on Spain, a nation that produced a large number of fascist texts focused on space, it also draws on works written by key German, Italian, and French fascist politicians and intellectuals. Ultimately, it provides an innovative model for analyzing the comparable yet often overlooked strategies of symbolic representation and production of space in fascist political and cultural discourse.
