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Manuel Ocaña
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Al-Andalus
From 711 when they arrived on the Iberian Peninsula until 1492 when scholars contribute a wide-ranging series of essays and catalogue entries which are fully companion to the 373 illustrations (324 in color) of the spectacular art and architecture of the nearly vanished culture. 91/2x121/2 they were expelled by Ferdinand and Isabella, the Muslims were a powerful force in al-Andalus, as they called the Iberian lands they controlled. This awe-inspiring volume, which accompanies a major exhibition presented at the Alhambra in Granada and The Metropolitan Museum of Art in New York, is devoted to the little-known artistic legacy of Islamic Spain, revealing the value of these arts as part of an autonomous culture and also as a presence with deep significance for both Europe and the Islamic world. Twenty-four international Annotation copyrighted by Book News, Inc., Portland, OR
A Bridge to the Sky
A Bridge to the Sky explores the close connections between science, arts, and visual culture as they developed in the medieval Islamic lands. It presents a significant study of the career of 'Abbas Ibn Firnas, (d. 887), the most celebrated 'scientist' and polymath of early Islamic Spain, best known for conducting an experiment that has been celebrated as a milestone in the history of human flight.
Advances in Physical Agents II
The book reports on cutting-edge Artificial Intelligence (AI) theories and methods aimed at the control and coordination of agents acting and moving in a dynamic environment. It covers a wide range of topics relating to: autonomous navigation, localization and mapping; mobile and social robots; multiagent systems; human-robot interaction; perception systems; and deep-learning techniques applied to the robotics. Based on the 21st edition of the International Workshop of Physical Agents (WAF 2020), held virtually on November 19-20, 2020, from Alcalá de Henares, Madrid, Spain, this book offers a snapshot of the state-of-the-art in the field of physical agents, with a special emphasis on novel AI techniques in perception, navigation and human robot interaction for autonomous systems.
Ibn García's shu'ūbiyya Letter
This volume deals with the medieval shu'ūbiyyah movement (in which non-Arab Muslims sought equality of power and status with Arabs) in al-Andalus, Muslim Spain. By analysing a letter composed by Ibn García during the 11th century, the tensions between Arab and non-Arab Muslims are discussed in detail. Symbols, stories and legends used in the shu'ūbiyyah corpus of writings are analysed in the light of the political and theological development in al-Andalus and the Muslim world. Authority, legitimacy and power are central both to the discussion of Ibn García’s letter and the history of the shu'ūbiyyah movement. The first part gives the historical background to the history of al-Andalus. Ethnic conflicts and tensions related to authority and power are of special interest. The second part, gives a detailed analysis of Ibn García’s shu'ūbiyyah letter in relation to the historical and contemporary situation in al-Andalus.
Bandits at Sea
The romantic fiction of pirates as swashbuckling marauders terrorizing the high seas has long eclipsed historical fact. Bandits at Sea offers a long-overdue corrective to the mythology and the mystique which has plagued the study of pirates and served to deny them their rightful legitimacy as subjects of investigation.
The Mediation of Ornament
How ornamentation enables a direct and immediate encounter between viewers and art objects Based on universal motifs, ornamentation occurs in many artistic traditions, though it reaches its most expressive, tangible, and unique form in the art of the Islamic world. The Mediation of Ornament shares a veteran art historian’s love for the sheer sensuality of Islamic ornamentation, but also uses this art to show how ornament serves as a consistent intermediary between viewers and artistic works from all cultures and periods. Oleg Grabar analyzes early and medieval Islamic objects, ranging from frontispieces in Yemen to tilework in the Alhambra, and compares them to Western examples, treating all pieces as testimony of the work, life, thought, and emotion experienced in one society. The Mediation of Ornament is essential reading for admirers of Islamic art and anyone interested in the ways of perceiving and understanding the arts more broadly.
