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A Missionary Nation focuses on Spain’s crusade to resurrect its empire, beginning with the so-called War of Africa. Fought in Morocco between 1859 and 1860, the campaign involved more than forty-five thousand troops and led to a long-lasting Spanish engagement in North Africa. With popular support, the government backed French invasions of Indochina and Mexico, and many veteran soldiers from the African war were reenlisted in the brutal and protracted conflict following the reannexation of the Dominican Republic in 1861. In addition, expeditions to West Africa built a colonial presence in and around the island of Fernando Po. Few works in English have examined the impact of these nineteent...
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Mexican cinema has largely been overlooked by international film scholars because of a lack of English-language information and the fact that Spanish-language information was difficult to find and often out of date. This comprehensive filmography helps fill the need. Arranged by year of release and then by title, the filmography contains entries that include basic information (film and translated title, production company, genre, director, cast), a plot summary, and additional information about the film. Inclusion criteria: a film must be a Mexican production or co-production, feature length (one hour or more, silent films excepted), fictional (documentaries and compilation films are not included unless the topic relates to Mexican cinema; some docudramas and films with recreated or staged scenes are included), and theatrically released or intended for theatrical release.
Cuban independence arrived formally on May 20, 1902, with the raising of the Cuban flag in Havana - a properly orchestrated and orderly inauguration of the new republic. But something had gone awry. Republican reality fell far short of the separatist ideal. In an unusually powerful book that will appeal to the general reader as well as to the specialist, Louis A. Perez, Jr., recounts the story of the critical years when Cuba won its independence from Spain only to fall in the American orbit.The last quarter of the nineteenth century found Cuba enmeshed in a complicated colonial environment, tied to the declining Spanish empire yet economically dependent on the newly ascendant United States. ...
A biographical and critical study of the Spanish poet Manuel Machado (1874-1947), who was highly thought of in his lifetime but who, since his death, declined in popularity. His brother, Antonio, whom he once overshadowed, became more widely read. The first half of the book is biographical, setting Machado against the general literary background in Spain, and estimating his debt to French influence. Dr Brotherston deals in some detail with the Modernista movement, so that the study is almost an account of Spanish literary life of the time. The second half of the book is critical; Dr Brotherston wishes to show the fine quality of certain poems, and to affirm Machado's real importance and distinction. The generous bibliography will be useful to readers closely concerned with Machado and his period.
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