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This is the first edition of the fourteenth-century Lumen anime C and of its German translation Das liecht der sel, completed in 1426 by Ulrich Putsch, Bishop of Brixen (Bressanone) in the South Tyrol. The two works are theological compendia for use in homiletic and catechetical contexts, and teach their intended readership much about basic Christian doctrine and morality, with a special emphasis on the Virgin Mary. Their didactic method makes particular use of nature exempla and of (frequently spurious) quotations from authorities. Both were highly influential in late-medieval Germany, especially in Austria and Bavaria, but their important role in conveying the insights of late-medieval Cat...
The volume explores the theme of ambiguity in medieval and early modern literature in essays honoring the life and work of Arthur Groos, Avalon Foundation Professor in the Humanities at Cornell University, USA, emeritus. The famous expression diz vliegende bîspel from Wolfram von Eschenbach's Parzival is its watchword. In the poem the black and white plumage of the magpie represents the characteristic complexity, ambiguity, and ambivalence of the romance. Removed from its historical context the expression is also a figure of Arthur Groos's wide-ranging intellectual flight. In addition to his work on medieval German verse narrative, he has made important contributions to courtly love poetry, medieval and early modern scientific literature, early modern German literature in general, and especially to opera.
This volume deals with contrasting developments in the period between 1400-1550. It is one that is characterized by a search for greater personal liberty and more opportunities for creative expression, on the one hand, and a quest to secure stability by establishing binding norms, on the other.
This collection surveys the tradition of medieval commentaries on Aristotle's "Nicomachean Ethics" from its thirteenth-century origins to the fifteenth century, concentrating on the conception of the moral and intellectual virtues in a continuous interplay of ancient and Christian moral thought.
A narratological analysis of the Kaiserchronik, or chronicle of the emperors, which provides an account of the Roman and Holy Roman emperors, from the foundation of Rome to the eve of the Second Crusade.
The Secret in Medieval Literature explores the many secret agents, actions, creatures, and other beings influencing human existence. Medieval poets had a clear sense of the alternative dimension (the secret) and allowed it to enter quite frequently into their texts.
Based on diligent research, the seven scenes of this nativity play present a realistic, biblically evidenced and coherent but persistently denied reading of Jesus' coming into this world. His end as a victim of Roman soldiers in touching psycho-logics corresponds with his start in the womb of a young rural worker victimized by Roman soldiers. Far from blasphemy but full of sympathy with both victims, these scenes show that, in the wording of Brazilian Rabbi Nilton Bonder, "not force and virility but ... the woman builds the path of humanity" and that, in the words of Catholic US-theologist Jane Schaberg, the repressed tradition of Jesus' illegitimous birth "unmasked ... presents us with fuller human realities and therefore with deeper theological potential."
This rich volume by an interdisciplinary group of American and European scholars offers an innovative portrait of the complex formation of clerical and confessional identities within the context of the radically changed religious and political situations in sixteenth- and seventeenth-century Europe.
Organised within historical, thematic, and contextual frameworks, this collection of essays examines the psychological, rhetorical, and philological complexities of sensory perception from the classical period to the late Midddle Ages.
Reappraisal of Wirnt von Gravenberg's Wigalois, showing how it confronts and takes issue with - rather than simply imitating - earlier German Arthurian romance.