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Women Performers in Bengal and Bangladesh
Covering nearly 225 years, this volume tries to capture a broad spectrum of the situation of women performers from Gerasim Lebedeff's time (1795), who are considered to be the first performers in modern Bengali theatre, to today's time. The moot question is whether the role of women as performers evolved down the centuries. Whether this question will lead us to their subjugation to their male counterparts, producers, and directors has been explored here to give readers an understanding of when, where, by whom the politics began, and, by tracing the footprints, we have tried to understand if the politics has changed, or remains unchanged, or metamorphosed with regard to the woman's question i...
So Near, Yet So Far
This is the first-ever, full-length study of Badal Sircar's Third Theatre. Sircar was a very prominent playwright of modern Bengali Theatre. It challenges some of the well-established notions of the Third Theatre. It brings to the fore the lost voices of some members of the Third Theatre. It has some rare photographs of Shatabdi, Sircar's Theatre group.
So Near, Yet So Far
An influential dramatist and stage director, Badal Sircar (1925-2011) penned several acclaimed plays during the turbulent period of the late 1960s and 1970s in West Bengal. His own brand of experimental discourse the 'Third Theatre' is an urban theatre that is characterised by flexibility, intermingling of the performer and the audience to bring the two closer to each other, and low cost of production. The book covers Sircar's career and traces the journey of theatre in 19th-century Bengal from folk culture to the proscenium to open-air performances.
Women Performers in Bengal and Bangladesh
Covering nearly 225 years, this volume tries to capture a broad spectrum of the situation of women performers from Gerasim Lebedeff's time (1795), who are considered to be the first performers in modern Bengali theatre, to today's time. The moot question is whether the role of women as performers evolved down the centuries. Whether this question will lead us to their subjugation to their male counterparts, producers, and directors has been explored here to give readers an understanding of when, where, by whom the politics began, and, by tracing the footprints, we have tried to understand if the politics has changed, or remains unchanged, or metamorphosed with regard to the woman's question i...
Delving Into Different Literary Terrains
Since the beginning of 2nd half of 20th century various critical theories came into existence and every student and teacher of literature was influenced by those theories which were basically addressing the demands of other social sciences. But theoretical schools of western part of the world also inspired colonial and postcolonial reimagining. The present book employs many of those theories without being obscure or ambiguous. The book gets a wider value because the writer expresses his views, reviews, interviews and critical essays which are theory oriented. An extra value of the book is that author here also plays the role of a translator. And last but not the least the robust language plays a great job here and the domain is world literature.
Indian English Drama: Themes and Techniques
The book Indian English Drama: Themes & Techniques is a volume of research articles on contemporary Indian dramatists and their works starting from Rabindranath Tagore to nearly all present generation of dramatists like Girish Karnad, Vijay Tendulkar, Mahesh Dattani, Badal Sirkar, Habib Tanvir, Utpal Dutt, Mahasweta Devi, Usha Ganguli, Manjula Padmanabhan, Mahesh Elkunchwar and Manoj Mitra. The book will be helpful in giving critical insight to understand the art and vision of contemporary Indian dramatists both from thematic and technical points of view. The introductory chapter of the book is very resourceful to understand the growth and development of Indian English drama. Authors have presented their critical viewpoints on almost every aspect of dramatic arts, themes and techniques pertaining to Indian playwrights and their works. The book will give many ground breaking concepts and ideas on Indian English drama and is useful for both researchers and learners.
The Gothique: Myriad Manifestations
The Gothic has come a long way from the romantic quest for the imaginary. The gothic has proved to be an extremely enduing genre that has manifested itself in various forms in the cultural, literary, political, ecological and historical aspects of human existence. This anthology takes up various aspects of the Gothic ranging from ghost stories in literature and films to folklore and mythology to cultural horror, to showcase how Gothic is part of an omnipresent power structure that shapes the socio-cultural and psychological metanarrative that governs human ontology.
Bengal – India’s Rebellious Spirit
There was a time when Bengal set the benchmark for prosperity in India. It was a province that traded with countries around the world, in an era when the word ‘globalisation’ did not even exist. Fabrics weaved in Bengal were of incomparable superiority, and the indigo exported from the province had substantial demand in the European markets. However, there came a time when the sun set on this flourishing land. As it passed from the hands of the Mughals to the English, and was later divided into two governments, Bengal touched the pinnacles of greatness and plummeted into the depths of suffering. Today, it is rising once again like a phoenix from its own ashes. This book takes you through the several episodes of history, which shaped Bengal—events that spanned victory, death, loss, love, avarice and patriotism.
Utpal Dutt's Theatre
This book offers the reader an in-depth understanding of Utpal Dutt’s entire career in drama. Covering Dutt’s career in proscenium, street theatre and Jatra, it analyzes the interesting exchange of dramatic art with politics in his theatre. Owing to a plethora of unsubstantiated opinions, Dutt is either revered by his followers or dismissed by his opponents, but hardly ever studied with necessary objectivity and intellectual rigour. The book attempts to bust the myth that Dutt was primarily a political propagandist who used theatre only as a means to achieve his political end. The remarkable range of Dutt’s subject matter makes him as internationally significant as he is loved by India...
