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Early Spanish Manuscript Illumination
Spanish culture is the result of many civilizations - Visigoth, Jewish, Berber, Arabic - which mingled with the traditions of the Romanized Celtic-Iberian population, once colonized by Carthage. Of special interest among Spain's artistic treasure are the manuscripts produced from the seventh through the eleventh centuries, especially those masterpieces which were decorated in the Mozarabic style (the term given to the Christians who lived in the Iberian Peninsula under Moslem rule). These manuscripts present a strange vision of the world with strong, deep colors that cover the picture with vibrant bands of green, red, yellows and violet, providing the background for monsters, tempests, human figures of every description, - all displaying an incredible virile mysticism, evoking a new ideal, the antithesis of the Classic which was to influence the art of the latter Middle Ages throughout all Europe, but which was anticipated in Spain by nearly two centuries. - Publisher.
Illuminated Manuscripts of Medieval Spain
As the end of the first millennium drew near - a date when many expected the end of the world - the beleaguered Christian communities of Spain, still dominated by Islam, were experiencing a profound spiritual crisis. To make sense of their predicament, they turned to the Revelation of St John the Divine, in particular the commentary written three centuries before by the monk Beatus of Liebana, making of their illuminated manuscripts an art form of extraordinary expressive power. More than twenty of these manuscripts survive, dating from between 900 and 1100, all illuminated in a colorful style known as Mozarabic - a combination of Carolingian, Islamic, Byzantine and Visigothic art. The Beatu...
The Spanish Forger
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Illuminated Manuscripts of Medieval Spain
At the end of the first millennium--when many expected the world to end--the Christian communities of Spain, still dominated by Islam, experienced a profound spiritual crisis. To make sense of their predicament, they turned to The Book of Revelation by St. John the Divine, and commentaries on this work were circulated in a variety of illuminated manuscripts of extraordinary expressive power. More than twenty of these manuscripts survive, dating from between 900 and 1100, all rendered in a colorful style known as Mozarabic. Cut off from the rest of Europe and obsessed by the imminence of God's judgment, the creators of these books invented a world peopled by angelic warriors, demons and beasts, exotic birds and serpents, and luxuriant trees.
