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Marc-Antoine Charpentier
Although Charpentier left little trace of his worldly existence, his music fortunately has been preserved nearly in its entirety. This book is the first comprehensive study of his approximately 550 compositions, including a number of important pieces that remain relatively unknown. A discussion of the composer's theoretical writings, a complete catalog of Charpentier's works, and an extensive bibliography are all given here. While Charpentier's life and personality are still shrouded in mystery, our knowledge about him has nevertheless increased considerably over the past few years, and it will certainly continue to be enriched by new discoveries in the future. His music, for the most part still unknown both on disc and in concert, is waiting for performers to reveal all its facets, and for an ever-growing public finally to discover Charpentier as one of France's most remarkable composers.
Marc-Antoine Charpentier's Pestis Mediolanensis (the Plague of Milan)
The Plague of Milan (c. 1680) is commonly called an oratorio but is best described as a motet. The text, a description of the charitable acts of the Bishop of Milan during the bubonic plague of 1576, is based on Charpentier's holograph manuscript and includes a full score for soloists, double chorus, winds, and strings. This edition includes an analysis of the music and text, a translation of the test, a discussion of editorial problems, and a collection of writings on the work. Originally published in 1979. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Wealth and Disaster
G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Z
Moral Philosophy on the Threshold of Modernity
Over the past twenty years the transition from the late Middle Ages to the early modern era has received increasing attention from experts in the history of philosophy. In part, this new interest arises from claims, made in literature aimed at a less specialist readership, that this transition was responsible for the subsequent philosophical and theological problems of the Enlightenment. Philosophers like Alasdair MacIntyre and theologians like John Milbank display a certain nostalgia for the medieval synthesis of Thomas Aquinas and, consequently, evaluate the period from 1300 to 1700 in rather negative terms. Other historians of philosophy writing for the general public, such as Charles Tay...
How to Architect
The basics of the profession and practice of architecture, presented in illustrated A-Z form. The word "architect" is a noun, but Doug Patt uses it as a verb—coining a term and making a point about using parts of speech and parts of buildings in new ways. Changing the function of a word, or a room, can produce surprise and meaning. In How to Architect, Patt—an architect and the creator of a series of wildly popular online videos about architecture—presents the basics of architecture in A-Z form, starting with "A is for Asymmetry" (as seen in Chartres Cathedral and Frank Gehry), detouring through "N is for Narrative," and ending with "Z is for Zeal" (a quality that successful architects...
Deux prises contre toi: Et si c'était ça, l'amour? T.2
Il est déjà l’heure pour l’équipe de balle-molle mixte de participer à son deuxième tournoi. Cette fois-ci, direction Québec ! Si Julianne a vu le grand amour lui tomber du ciel du jour au lendemain, pour Hanaé, il en est tout autrement ! La jolie blonde met tellement d’efforts à trouver l’âme soeur qu’elle se perd dans le tourbillon de ses rencontres éclairs. Alors qu’un événement malheureux viendra bouleverser sa vie, elle sera forcée de prendre un temps d’arrêt afin de définir ce qu’elle veut vraiment.
Apéro tragique à Beaucon-les-deux-Châteaux
Les Cassoulet ont invité dans leur château pour un concert dînatoire la bonne société de Beaucon dont ils rêvent de faire partie. Mais la tête du pianiste est retrouvée flottant dans la piscine. Et dire qu’on en n’est qu’à l’apéritif… Distribution : de 14 à 17 comédiens
