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Visual Anthropology
El Guindi provides a comprehensive guide to the methods of visual anthropology and the use of film in cross-cultural research and ethnography. She shows how visual media -- photographic, filmic, interactive -- is now an accepted part of the anthropological process, a vital tool that reflects and produces knowledge about the range of cultures and about culture itself. It preserves the integrity of people, objects, and events in their cultural context, and expands our horizons beyond the reach of memory culture. El Guindi places visual anthropology within an empirically-based, analytic framework, built on systematic observation, identifying the research cycle that begins with data gathering and leads to visual ethnographic construction that is anthropological in method, process, and product. She explains how indigenous, professional, and amateur forms of pictorial/auditory materials are grounded in personal, social, cultural, and ideological contexts, and describes the non-Western critique of the Western traditions of visual anthropology. Her book is an excellent guide for ethnographic research, and for film and other media instruction concerned with cross-cultural representation.
The Corporeal Image
David MacDougall argues for a new conception of how visual images create human knowledge in a world in which the value of seeing has often been eclipsed by words.
Prayer Has Spoiled Everything
DIVAn ethnographic and historical account of bori spirit possession and its relation to Islam, colonialism, and the state./div
Women and Islamic Revival in a West African Town
In the small town of Dogondoutchi, Niger, Malam Awal, a charismatic Sufi preacher, was recruited by local Muslim leaders to denounce the practices of reformist Muslims. Malam Awal's message has been viewed as a mixed blessing by Muslim women who have seen new definitions of Islam and Muslim practice impact their place and role in society. This study follows the career of Malam Awal and documents the engagement of women in the religious debates that are refashioning their everyday lives. Adeline Masquelier reveals how these women have had to define Islam on their own terms, especially as a practice that governs education, participation in prayer, domestic activities, wedding customs, and who wears the veil and how. Masquelier's richly detailed narrative presents new understandings of what it means to be a Muslim woman in Africa today.
Historical Dictionary of Niger
Sitting on the cusp between Mediterranean and sub-Saharan Africa, Niger is in many ways a remarkable place, blending in the harsh Sahelian environment a great diversity of cultures and lifestyles to make up a poor but resilient nation. The country was established in the early 20th century in what used to be the busy crossroad of exchanges between the kingdoms and empires of West Africa and the Arab-Islamic world. The resulting melting pot is a blend of Western Sudanic cultures, manifest in particular in its food, music, and dance, as well as in the enduring rituals and practices of animist religions, along with a good deal of Arab culture imported through the Islamic religion and a dash of F...
The Adventure of the Real
Though relatively unsung in the English-speaking world, Jean Rouch (1917–2004) was a towering figure of ethnographic cinema. Over the course of a fifty-year career, he completed over one hundred films, both documentary and fiction, and exerted an influence far beyond academia. Exhaustively researched yet elegantly written, The Adventure of the Real is the first comprehensive analysis of his practical filmmaking methods. Rouch developed these methods while conducting anthropological research in West Africa in the 1940s–1950s. His innovative use of unscripted improvisation by his subjects had a profound impact on the French New Wave, Paul Henley reveals, while his documentary work launched the genre of cinema-vérité. In addition to tracking Rouch’s pioneering career, Henley examines the technical strategies, aesthetic considerations, and ethical positions that contribute to Rouch’s cinematographic legacy. Featuring over one hundred and fifty images, The Adventure of the Real is an essential introduction to Rouch’s work.
Historical Dictionary of Niger
Niger is a crossroad, the gate to the outside for West Africans, and the port of entry into West Africa for cross-Saharan tidings and travelers. It remained for centuries the largely uncontrolled periphery of the large empires of the western Sudan and the market cities of the central Sudan. In these two ways, the land forged a very distinctive identity, a fluid blend of diverse communities which make up a nation of marginal cosmopolitans – a paradox illuminated in this book. This fifth edition of Historical Dictionary of Niger contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Niger.
Ibss: Anthropology: 1975
First published in 1978. Routledge is an imprint of Taylor & Francis, an informa company.
Hausa Women in the Twentieth Century
The Hausa are one of the largest ethnic groups in Africa, with populations in Nigeria, Niger, and Ghana. Their long history of city-states and Islamic caliphates, their complex trading economies, and their cultural traditions have attracted the attention of historians, political economists, linguists, and anthropologists. The large body of scholarship on Hausa society, however, has assumed the subordination of women to men. Hausa Women in the Twentieth Century refutes the notion that Hausa women are pawns in a patriarchal Muslim society. The contributors, all of whom have done field research in Hausaland, explore the ways Hausa women have balanced the demands of Islamic expectations and West...
Franco-Maghrebi Artists of the 2000s
In Franco-Maghrebi Artists of the 2000s: Transnational Narratives and Identities Ramona Mielusel offers an account of the way how young artists (writers, filmmakers, actors, singers, photographers, contemporary migrant artists) of Maghrebi origin residing in France during the last twenty years (2000-2016) contest French “national identity” in their work. Mielusel's interest lies in analyzing the impact that these “minor” artists and their chosen genres have on mainstream cultural productions. She argues that constant displacement and changes in political, social and cultural contexts have significantly transformed the dynamics that govern the relationship between the center (Metropolitan France) and the periphery (its Others). Most importantly, she seeks to position their work in the field of transnationalism, which has dominated postcolonial studies and cultural studies in the past decade.
