Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Brave New Avant Garde
Brave New Avant Garde is a collection of essays that ask the questions: what is an adequate model of contemporary avant garde practice and what are its theoretical premises? With this it asks the related question, echoing Alain Badiou: must the avant garde hypothesis be abandoned? Brave New Avant Garde stands in opposition to postmodern post-politics and the view that radical practice has no other future than its reduction to the workings of the free market in the form of the "simple process of cultural production" or to variations on the cultural politics of representation. Today's avant garde, formed in the wake of the end of the Soviet Union and the rise of the anti-globalization movement, represents a counter-power that rejects the inevitability of capitalist integration. The way out for artists in today's world of creative industries is defined in these pages as a psychoanalytically informed sinthomeopathic practice, a critical identification with prevailing conditions of production that avoids the surplus enjoyment of the ideology of postmodern pluralism. ,
Vanguardia
The avant garde is dead, or so the story goes for many leftists and capitalists alike. But in an era of neoliberal austerity, neocolonial militarism and ecological crisis, this postmodern view seems increasingly outmoded. Rejecting ‘end of ideology’ post-politics, Vanguardia delves into the changing praxis of socially engaged art and theory in the age of the Capitalocene. Covering the major events of the last decade, from anti-globalisation protests, Occupy Wall Street, the Maple Spring, Strike Debt and the Anthropocene, to the Black Lives Matter and MeToo campaigns, Vanguardia puts forward a radical leftist commitment to the revolutionary consciousness of avant-garde art and politics.
Drive in Cinema
In Drive in Cinema, Marc James L ger presents Zizek-influenced studies of films made by some of the most influential filmmakers of our time, including Jean-Luc Godard, Pier Paolo Pasolini, Werner Herzog, Alexander Kluge, William Klein, Jim Jarmusch, Hal Hartley, Harmony Korine, and more. Working with radical theory and Lacanian ethics, L ger draws surprising connections between art, film, and politics, taking his analysis beyond the academic obsession with cultural representation and filmic technique and instead revealing film's potential as an emancipatory force.
Performance, [performance] and Performers
Performance [Performance] Performers consists of two voluumes: Volume 2 contains nine essays on performance art written over a thirty year period, from 1976 to 2006, while Volume 1 contains fourteen interviews with leading performance artists in Canada and the U.S. conducted over the same period, and is generously illustrated with photographs of many now landmark art performances.
The Social Photo
"Mr. Jurgenson makes a first sortie toward a new understanding of the photograph, wherein artistry or documentary intent have given way to communication and circulation. Like Susan Sontag’s On Photography, to which it self-consciously responds, The Social Photo is slim, hard-bitten and picture-free." – New York Times A set of bold theoretical reflections on how the social photo has remade our world. With the rise of the smart phone and social media, cameras have become ubiquitous, infiltrating nearly every aspect of social life. The glowing camera screen is the lens through which many of us seek to communicate our experience. But our thinking about photography has been slow to catch-up; this major fixture of everyday life is still often treated in the terms of art or journalism. In The Social Photo, social theorist Nathan Jurgenson develops bold new ways of understanding photography in the age of social media and the new kinds of images that have emerged: the selfie, the faux-vintage photo, the self-destructing image, the food photo. Jurgenson shows how these devices and platforms have remade the world and our understanding of ourselves within it.
Strike Art
The collision of activism and contemporary art, from the Seattle protests to Occupy and beyond The collision of activism and contemporary art, from the Seattle protests to Occupy and beyond What is the relation of art to the practice of radical politics today? Strike Art explores this question through the historical lens of Occupy, an event that had artists at its core. Precarious, indebted, and radicalized, artists redirected their creativity from servicing the artworld into an expanded field of organizing in order to construct of a new—if internally fraught—political imaginary set off against the common enemy of the 1%. In the process, they called the bluff of a contemporary art system...
CMOK to YOu To
CMOK to YOu To presents the 2015 email correspondence of the Serbian-born poet, art critic and playwright Nina Živančević and Canadian cultural theorist Marc James Léger. In December of 2014 Léger invited Živančević to contribute a text to the second volume of the book he was editing, The Idea of the Avant Garde - And What It Means Today. Taken with each other's idiosyncrasies, their correspondence gradually shifted from amiable professional exchanges and the eventual failure to organize a scholarly event to that of collaborating on some kind of writing project. Several titles were attempted for the eventual book - Marshmallow Muse: The Exact and Irreverent Letters of MJL and NZ, The...
Class Struggle and Identity Politics
Contemporary bipartisan politics undermines socialist solidarity by ignoring class issues and pitting advocates of social justice against ethno-national chauvinists. This guide to the recent wave of "woke" culture wars provides a radical class analysis and critique of the most popular academic trends around diversity and inclusion: radical democracy, intersectionality, privilege theory, critical race theory and decoloniality. The book further explains the complexity of today’s cultural conflicts by examining how these issues are viewed across the political spectrum, including populist and postmodern perspectives. Exploring historical, cultural, political and economic developments since the postwar era, this follow- up to Identity Trumps Socialism provides the reader with everything you wanted to know but were afraid to ask about the campus wars that have gone mainstream.
Zapantera Negra
A powerful elixir of hope and determination, Zapantera Negra provides a galvanizing presentation of interviews, militant artwork, and original documents from two movements' struggle for dignity and liberation. When Emory Douglas, former Minister of Culture of the Black Panther Party, accepted an invitation from the art collective EDELO and Rigo 23 to meet with autonomous Indigenous and Zapatista communities in Chiapas, Mexico, they explored the role of revolutionary art in times of distress. Zapantera Negra is the result of their encounter. It unites the bold aesthetics, revolutionary dreams, and dignified declarations of two leading movements that redefine emancipatory politics in the twentieth and twenty-first century. The artists of the Black Panthers and the Zapatistas were born into a centuries-long struggle against racial capitalism and colonialism, state repression and international war and plunder. Not only did these two movements offer the world an enduring image of freedom and dignified rebellion, they did so with rebellious style, putting culture and aesthetics at the forefront of political life.
2016
Both institutional critique and reference work, documenting the intersection of politics (in the form of political donations) and art museums. 2016 in Museums, Money, and Politics examines the intersection of electoral politics and private-nonprofit art institutions in the United States at a pivotal historical moment. In a massive volume that is both institutional critique and reference work, the artist Andrea Fraser documents the reported political contributions made by trustees of more than 125 art museums, representing every state in the nation, in the 2016 election cycle. With campaigning that featured attacks on vulnerable populations, the vilification of the media and “cultural elite...
