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Cape Comedy
Cape Comedy is a quirky, pop culture thriller set in the tragically funny world of stand-up comedy. Suspense/Pop Culture Novel. For thirty-one years, Marc Weingarten has lived the comedy life. With a range of experience unparalleled in the industry, Marc might be the only person with a resume that includes owning a comedy landmark, writing and talent coordinating a late night network television show, producing some of the biggest live comedy events in the country, headlining major venues as a comic, writing material for other comics, and co-founding what is arguably the most prominent comedy recording label in the country. And now, with the release of his first novel, Cape Comedy, it's not a...
Yes is the Answer
Collects essays discussing the subgenre of progressive rock by such novelists as Rick Moody, Wesley Stace, and Seth Greenland and such musicians as Matthew Sweet, Nathan Larson, and Peter Case.
New York Magazine
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Billy Wilder on Assignment
A Times Literary Supplement Book of the Year, chosen by Tom Stoppard "A revelation."—Marc Weingarten, Washington Post Acclaimed film director Billy Wilder’s early writings—brilliantly translated into English for the first time Before Billy Wilder became the screenwriter and director of iconic films like Sunset Boulevard and Some Like It Hot, he worked as a freelance reporter, first in Vienna and then in Weimar Berlin. Billy Wilder on Assignment brings together more than fifty articles, translated into English for the first time, that Wilder (then known as "Billie") published in magazines and newspapers between September 1925 and November 1930. From a humorous account of Wilder's stint ...
Here She Comes Now
Here She Comes Now brings together some of America's best music writers – such as Susan Choi, recipient of the inaugural PEN / W.G. Sebald award, Daniel Walters, whose credits include the screenplay for Heathers, and Alina Simon, whose novel Note to Self was described as 'hilarious' by Amanda Palmer - to explore incredible women in popular music. Often wryly amusing – even occasionally heart-rending – and covering artists from Dolly Parton and Nina Simone to Bjork, Taylor Swift and Riot Grrrl pioneer Kathleen Hanna, this is a feisty celebration of the transformative power of musicians who have truly rocked our world. The full list of artists covered is: Dolly Parton, Taylor Swift, Sinéad O'Connor, Mary J. Blige, June Carter Cash, Björk, Ronnie Spector, Laurie Anderson, Judee Sill, Patti Smith, Nina Simone, Poly Styrene, Stevie Nicks, Kim Gordon, Kate Bush, P.J. Harvey, Loretta Lynn, Sandy Denny, Tina Turner, Kathleen Hanna, Liz Phair, Madonna and Miley Cyrus.
SPIN
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
Driving the King
Montgomery, Alabama, December 1945. War hero Nat Weary has returned to his hometown, eager to rebuild his life. His childhood friend, the famous Nat King Cole, is also home for a rare performance. During the concert, Weary plans to propose to his sweetheart, and Cole will serenade them with a song. But Weary’s dreams for the future are destroyed when a white man, armed with a pipe, rushes the stage. Leaping from the audience, the former soldier stops the assailant—an act of bravery that leads to ten years of hard labor in prison. Free at last a decade later, Weary heads to Los Angeles to work for his old friend. It is the promise of a new life removed from the violence and degradation of...
Who's Afraid of Tom Wolfe?
The list of classic works of New Journalism goes on and on: In Cold Blood, The Right Stuff, Armies of the Night, Dispatches, Fear and Loathing in Las Vegas, Hiroshima, Slouching Towards Bethlehem: not only are they all still in print after 40 years, but also as accepted classics. Their authors - Truman Capote, Tom Wolfe, Michael Herr, Joan Didion, Norman Mailer - are also acknowledged as some of America's greatest twentieth-century writers. But they wrote non-fiction, not novels, about big subjects like Vietnam, the Hippie culture, notorious murders, the space programme. And the then revolutionary new brand of non-fiction they pioneered - narrative and novelistic, yet documentary and often with a spacedout, forensic detachment - has now become so much part of the mainstream that we can read books like Midnight in the Garden of Good and Evil without realising their debt to the early New Journalists of the sixties. Marc Weingarten's book tells for the first time how they pushed reportage beyond its narrow limits and changed the literary culture, and the fascinating stories behind the research and writing of books such as in Cold Blood.
SPIN
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
Novaja žurnalistika i antologija novoj žurnalistiki
This is a 1973 anthology of journalism edited by Tom Wolfe and E. W. Johnson. The book is both a manifesto for a new type of journalism by Wolfe, and a collection of examples of New Journalism by American writers, covering a variety of subjects from the frivolous (baton twirling competitions) to the deadly serious (the Vietnam War). The pieces are notable because they do not conform to the standard dispassionate and even-handed model of journalism. Rather they incorporate literary devices usually only found in fictional works.
