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In Art as Politics in Late Medieval and Renaissance Siena, contributors explore the evolving relationship between image and politics in Siena from the time of the city-state's defeat of Florence at the Battle of Montaperti in 1260 to the end of the Sienese Republic in 1550. Engaging issues of the politicization of art in Sienese painting, sculpture, architecture, and urban design, the volume challenges the still-prevalent myth of Siena's cultural and artistic conservatism after the mid fourteenth century. Clearly establishing uniquely Sienese artistic agendas and vocabulary, these essays broaden our understanding of the intersection of art, politics, and religion in Siena by revisiting its medieval origins and exploring its continuing role in the Renaissance.
In our rapidly globalising world, “the global scholar” is a key concept for reimagining the roles of academics at the nexus of the global and the local. This book critically explores the implications of the concept for understanding postgraduate studies and supervision. It uses three conceptual lenses – “horizon”, “currency” and “trajectory” – to organise the thirteen chapters, concluding with a reflection on the implications of Covid-19 for postgraduate studies and supervision. Authors bring their perspectives on the global scholar from a variety of contexts, including South Africa, Australia, the United States, the United Kingdom, Chile, Germany, Cyprus, Kenya and Israel. They explore issues around policy, research and practice, sharing a concern with the relation between the local and the global, and a passion for advancing postgraduate studies and supervision.
In the spring of 1937, Daniel Fuchs, twenty-seven years old and the author of three acclaimed novels of Brooklyn tenement life, came to Hollywood to bang out a treatment of one of his short stories. His thirteen-week contract turned into a permanent residence-and a lifelong love affair. "Writing for the movies was fine," he would later recall, "the freedom and fun, the hard work," but even finer were the movies themselves-team-built, mass-market miracles, "brisk and full of urgent meaning." Finest of all were the people-hustling producers, inscrutable directors, cracker-jack screenwriters, and charismatic stars-their virtues and flaws and egos and disappointments all visible in high relief "...
"To reach the truth, you have to get rid of all the opinions you have received once in your life, and rebuild your whole system of knowledge again." This is what the narrator does here, rebuilding his knowledge basis in the light of the philosophical thoughts and the scientific theories that have emerged since 1650. What does René Descartes famous 'cogito' then become?
Reports for 1980- include also the Annual report of the National Council on the Arts.
A cumulative list of works represented by Library of Congress printed cards.