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Avec Marcel Detienne
Ce livre n’est pas une biographie scientifique de Marcel Detienne (1935-2019) – enfin, il l’est sans l’être vraiment. Ce n’est pas non plus l’éloge d’un des hellénistes, philologues et anthropologues de la Grèce ancienne les plus reconnus dans le monde, traduit, considéré comme le fils brillant et tumultueux de Jean-Pierre Vernant. Il faudrait ajouter Claude Lévi-Strauss, Michel de Certeau et Georges Dumézil. Son ami Philippe Sollers, aussi. Le havre de paix qu’il avait trouvé à l’École pratique des hautes études, à Paris, venant de sa Belgique problématique. L’ostracisme qu’il a connu, enfin, des rives italiennes à celles des États-Unis. Tout ceci fait ...
The Gardens of Adonis
Rich with implications for the history of sexuality, gender issues, and patterns of Hellenic literary imagining, Marcel Detienne's landmark book recasts long-standing ideas about the fertility myth of Adonis. The author challenges Sir James Frazer's thesis that the vegetation god Adonis-- whose premature death was mourned by women and whose resurrection marked a joyous occasion--represented the annual cycle of growth and decay in agriculture. Using the analytic tools of structuralism, Detienne shows instead that the festivals of Adonis depict a seductive but impotent and fruitless deity--whose physical ineptitude led to his death in a boar hunt, after which his body was found in a lettuce pa...
The Cuisine of Sacrifice Among the Greeks
For the Greeks, the sharing of cooked meats was the fundamental communal act, so that to become vegetarian was a way of refusing society. It follows that the roasting or cooking of meat was a political act, as the division of portions asserted a social order. And the only proper manner of preparing meat for consumption, according to the Greeks, was blood sacrifice. The fundamental myth is that of Prometheus, who introduced sacrifice and, in the process, both joined us to and separated us from the gods—and ambiguous relation that recurs in marriage and in the growing of grain. Thus we can understand why the ascetic man refuses both women and meat, and why Greek women celebrated the festival...
Comparing the Incomparable
A deliberately post-deconstructionist manifesto against the dangers of incommensurability, Marcel Detienne's book argues for and engages in the constructive comparison of societies of a great temporal and spatial diversity.
The Masters of Truth in Archaic Greece
The acclaimed French classicist Marcel Detienne's first book traces the odyssey of "truth," aletheia, from mytho-religious concept to philosophical thought in archaic Greece. Detienne begins by examining how truth in Greek literature first emerges as an enigma. He then looks at the movement from a religious to a secular thinking about truth in the speech of the sophists and orators. His study culminates with an original interpretation of Parmenides' poem on Being.
The Daily Life of the Greek Gods
Discusses the everyday life of the gods of the Iliad, including what their bodies were made of, how they received nourishment, their social life on Olympus and among humans, and their loves, festivities, and disputes.
Dionysos at Large
As the perpetual stranger Dionysos is the embodiment of strangeness. He is nowhere at home, and yet in another sense the world is his home. Detienne evokes the manic activity of Dionysos in myths that connect him with the shedding of blood, the pouring of wine, and the ejaculation of semen.
The Writing of Orpheus
Winner of the Translation Prize for non-fiction from the French-American Foundation. Son of a mortal king and an immortal Muse, Orpheus possessed a gift for music unmatched among humans; with his lyre he could turn the course of rivers, drown the fatal song of the Sirens, and charm the denizens of the underworld. The allure of his music speaks through the myths and stories of the Greeks and Romans, who tell of his mysterious compositions, with lyrics that only the initiated could understand after undergoing secret rites. Where readers of subsequent centuries have been content to understand these mysteries as the stuff of obfuscation or mere folderol, Marcel Detienne finds in the writing of O...
L'invention de la mythologie
Qui a inventé la mythologie ? Quelles sont les frontières de ce territoire où des histoires inoubliables et le plaisir de les conter semblent inséparables de l'exégèse et du désir de les interpréter ?Poisson soluble dans les eaux de la mythologie, le mythe est une forme introuvable : ni genre littéraire, ni récit spécifique. Mais parler de la mythologie, hier et aujourd'hui, c'est toujours, plus ou moins explicitement, parler grec ou depuis la Grèce. D'où l'urgence d'une enquête généalogique pour repenser la mythologie comme objet de savoir autant que de culture.
