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Double Heart, Marcel Schwob's first collection of short stories, here presented in English for the first time, in an expert translation by Brian Stableford, was originally published in 1891, all of the stories in it having previously appeared in the daily newspaper L'Écho de Paris while the author was part of a "stable" of writers attached to the newspaper, commissioned to supply stories at weekly or fortnightly intervals. Considered superficially, the project of writing a short story once a fortnight, or even once a week, does not seem particularly daunting, but the reality was that few were able to keep up such a pace while maintaining diversity and originality. During the years when he w...
First published in French in 1892 and never before translated fully into English, The King in the Golden Mask gathers 21 of Marcel Schwob's cruelest and most erudite tales. Melding the fantastic with historical fiction, these stories describe moments of unexplained violence both historical and imaginary, often blending the two through Schwob's collaging of primary source documents into fiction. Brimming with murder, suicide, royal leprosy and medieval witchcraft, Schwob's stories portray clergymen furtively attending medieval sabbaths, Protestant galley slaves laboring under the persecution of Louis XIV and dice-tumbling sons of Florentine noblemen wandering Europe at the height of the 1374 plague. These writings are of such hallucinatory detail and linguistic specificity that the reader is left wondering whether they aren't newly unearthed historical documents. To read Schwob is to encounter human history in its most scintillating form as it comes into contact with this unparalleled imagination.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
One of Pierre Michon's most powerful works, this book imagines decisive moments in the lives of five artists of different times and places: Vincent van Gogh, Francisco Goya, Antoine Watteau, Claude Lorrain, and Lorentino, a little-remembered disciple of Piero della Francesca. Michon focuses on particular moments when artist and model collide, whether that model is a person or a landscape, inner or outer. In the five separate tales he evokes the full passion of the artist's struggle to capture the world in images even as the world resists capture. Each story is a small masterpiece that transcends national boundaries and earns its place among the essential works of world literature.
"The true story of an audacious resistance campaign undertaken by an unlikely pair: two French women -- Lucy Schwob and Suzanne Malherbe -- who drew on their skills as Parisian avant-garde artists to write and distribute wicked insults against Hitler and calls to desert, a PSYOPs tactic known as "paper bullets," designed to demoralize Nazi troops occupying their adopted home of Jersey in the British Channel Islands"--
By making this lost masterpiece of Surrealist literature available to an English-speaking readership, this publication will bring further recognition to a seminal and previously underrated figure in 20th century art and literature.
Brief in the way a razor’s slice is brief, remarkable essays by a peerless stylist New Directions is proud to present Fleur Jaeggy’s strange and mesmerizing essays about the writers Thomas De Quincey, John Keats, and Marcel Schwob. A renowned stylist of hyper-brevity in fiction, Fleur Jaeggy proves herself an even more concise master of the essay form, albeit in a most peculiar and lapidary poetic vein. Of De Quincey’s early nineteenth-century world we hear of the habits of writers: Charles Lamb “spoke of ‘Lilliputian rabbits’ when eating frog fricassse”; Henry Fuseli “ate a diet of raw meat in order to obtain splendid dreams”; “Hazlitt was perceptive about musculature an...