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Brexit: A Way Forward
The outcome of the European Union membership referendum in 2016 has presented the United Kingdom with one of its greatest challenges of modern times. As negotiations for an exit strategy continue, this volume looks to open up conversations on the socio-legal implications of such a monumental transition. Aimed at addressing issues relating to Brexit that affect every aspect of British society, this book seeks to not just list the problems but to offer viable solutions for “the way forward”. Divided into three parts, this book presents a comprehensive yet accessible discussion of the impact of Brexit on the United Kingdom. Part I brings together three social studies that reveal that Brexit...
Treatment and Prognostic Assessment of Liver Cirrhosis and Its Complications
About 2 million deaths worldwide annually are attributable to liver diseases. Among them, half die from cirrhosis and the other half from viral hepatitis and hepatocellular carcinoma. When patients with liver cirrhosis develop to the decompensated stage, a variety of complications will occur, such as ascites, spontaneous bacterial peritonitis, variceal bleeding, hepatic encephalopathy, hepatorenal syndrome, and jaundice, which will seriously affect the patient's quality of life with reduced survival time and increased socioeconomic burden. Therefore, early assessment and clinical management of cirrhosis and its complications are crucial for both clinicians and patients.
Voices from the Italian Renaissance
The Italian Renaissance was a period of intense cultural transformations when the ancient world was being rediscovered and a New World had been literally discovered. Between the thirteenth and the seventeenth centuries, traditional beliefs were being challenged as people across the Italian Peninsula explored new ways of thinking about religion, politics, and society and introduced startling innovations in the arts. This book contains more than hundred selections of primary sources—the historian’s raw material in the form of memoirs, letters, treatises, sermons, stories, poems, drawings, paintings, and sculpture. Here are eyewitness accounts of cold-blooded murders, lavish court pageants,...
E Lisbona sfavillava
Chi arriva a Lisbona per la prima volta rimane colpito dalla grandezza del fiume, dalla bontà dei pastéis de nata e dalla sua luce. Una luce eccessiva, onnipresente, di un nitore che quasi ferisce gli occhi. Così unica che i portoghesi che vivono all’estero ne provano subito nostalgia. Dopo aver vissuto a Lisbona da studente, Tino Mantarro continua a tornarci per scoprire i segreti che nasconde questa città: ha passeggiato lungo le rive del Tejo, ha conversato con passanti occasionali, origliato i discorsi sui bus mentre si muoveva per incontrare professori di fisica, ispettori di polizia, meteorologi, comandanti di navi, astronomi, venditori di candele. Si è tuffato nei libri di Antonio Tabucchi e Fernando Pessoa, visitando gli angoli meno raccontati, andando allo stadio da Luz per vedere il Benfica, pagaiando lungo l’immenso estuario. Andando alla ricerca di tutti quegli elementi, veri o sognati, che contribuiscono al mito della luce di Lisbona.
City Views in the Habsburg and Medici Courts
In City Views in the Habsburg and Medici Courts, Ryan E. Gregg relates how Charles V, Holy Roman Emperor, and Duke Cosimo I of Tuscany employed city view artists such as Anton van den Wyngaerde and Giovanni Stradano to aid in constructing authority. These artists produced a specific style of city view that shared affinity with Renaissance historiographic practice in its use of optical evidence and rhetorical techniques. History has tended to see city views as accurate recordings of built environments. Bringing together ancient and Renaissance texts, archival material, and fieldwork in the depicted locations, Gregg demonstrates that a close-knit school of city view artists instead manipulated settings to help persuade audiences of the truthfulness of their patrons’ official narratives.
Maarten van Heemskerck’s Rome
This book presents the first sustained study of the stunning drawings of Roman ruins by Haarlem artist Maarten van Heemskerck (1498–1574; in Rome, 1532–ca. 1537). In three parts, Arthur J. DiFuria describes Van Heemskerck’s pre-Roman training, his time in Rome, and his use his ruinscapes for the art he made during his forty-year post-Roman phase. Building on the methods of his predecessors, Van Heemskerck mastered a dazzling array of methods to portray Rome in compelling fashion. Upon his return home, his Roman drawings sustained him for the duration of his prolific career. Maarten van Heemskerck’s Rome concludes with the first ever catalog to bring together all of Van Heemskerck’s ruin drawings in state-of-the-art digital photography.
The Papacy and the Levant, 1204-1571
Annotation This is the third of four volumes which trace the history of the later Crusades and papal relations with the Levant from the accession of Innocent III (in 1198) to the reign of Pius V and the battle of Lepanto (1566-1571). From the mid-fourteenth century to the conclusion of his work, the author has drawn heavily upon unpublished materials, collected in the course of more than twenty "palaeographical journeys" to the Archivio Segreto Vaticano and the Archivi di Stato in Venice, Mantua, Modena, Milan, Siena, Florence, and the Archives of the Order of the Hospitallers at Malta. Volumes 1, II, and IV are available at www.amphilsoc.org.
