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Children of the Land
This unforgettable memoir from a prize-winning poet about growing up undocumented in the United States recounts the sorrows and joys of a family torn apart by draconian policies and chronicles one young man's attempt to build a future in a nation that denies his existence. "You were not a ghost even though an entire country was scared of you. No one in this story was a ghost. This was not a story." When Marcelo Hernandez Castillo was five years old and his family was preparing to cross the border between Mexico and the United States, he suffered temporary, stress-induced blindness. Castillo regained his vision, but quickly understood that he had to move into a threshold of invisibility befor...
Cenzontle
In this highly lyrical, imagistic debut, Marcelo Hernandez Castillo creates a nuanced narrative of life before, during, and after crossing the US/Mexico border. These poems explore the emotional fallout of immigration, the illusion of the American dream via the fallacy of the nuclear family, the latent anxieties of living in a queer brown undocumented body within a heteronormative marriage, and the ongoing search for belonging. Finding solace in the resignation to sheer possibility, these poems challenge us to question the potential ways in which two people can interact, love, give birth, and mourn—sometimes all at once.
Dulce
Dulce is a debut poetry chapbook by acclaimed young poet Marcelo Hernandez Castillo. His poetry invites readers to challenge and negate borders and categories between citizen and noncitizen, queer and straight, man and woman.
Life and Adventures of Joaquin Murieta
In 1854, a Cherokee Indian called Yellow Bird (better known as John Rollin Ridge) launched in this book the myth of Joaquin Murieta, based on the California criminal career of a 19th century Mexican bandit. Today this folk hero has been written into state histories, sensationalized in books, poems, and articles throughout America, Spain, France, Chile, and Mexico, and made into a motion picture. The Ridge account is here reproduced from the only known copy of the first edition, owned by Thomas W. Streeter, of Morristown, New Jersey. According to it, the passionate, wronged Murieta organized an outlaw company numbering over 2,000 men, who for two years terrorized gold-rush Californians by kidnapping, bank robberies, cattle thefts, and murders. So bloodthirsty as to be considered five men, Joaquin was aided by several hardy subordinates, including the sadistic cutthroat, "Three-Fingered Jack." Finally, the state legislature authorized organization of the Mounted Rangers to capture the outlaws. The drama is fittingly climaxed by the ensuing chase, "good, gory" battle, and the shocking fate of the badmen.
From Our Land to Our Land
Luis J. Rodriguez writes about race, culture, identity, and belonging and what these all mean and should mean (but often fail to) in the volatile climate of our nation. His passion and wisdom inspire us with the message that we must come together if we are to move forward. As he writes in the preface, “Like millions of Americans, I’m demanding a new vision, a qualitatively different direction, for this country. One for the shared well-being of everyone. One with beauty, healing, poetry, imagination, and truth.” The pieces in From Our Land to Our Land capture that same fantastic energy and wisdom and will spark conversation and inspiration.
Home is where You Queer Your Heart
Poetry. Fiction. Literary Nonfiction. LGBTQIA Studies. HOME IS WHERE YOU QUEER YOUR HEART anthologizes contemporary queer writers and artists creatively thinking through the complex and fluid realities in the U.S. and abroad. Curated during the 2020 U.S. presidential election and the COVID-19 pandemic, as the culture shifts into a new normal--and many queer people feel their nation has further precluded them from a place of comfort--poets, essayists, storytellers, and artists remind us that it is at our kitchen tables, in our bedrooms, on our porches that makes us who we are.
Ink Knows No Borders
A poetry collection for young adults brings together some of the most compelling and vibrant voices today reflecting the experiences of teen immigrants and refugees. With authenticity, integrity, and insight, this collection of poems addresses the many issues confronting first- and second- generation young adult immigrants and refugees, such as cultural and language differences, homesickness, social exclusion, human rights, racism, stereotyping, and questions of identity. Poems by Elizabeth Acevedo, Erika L. Sánchez, Samira Ahmed, Chen Chen, Ocean Vuong, Fatimah Asghar, Carlos Andrés Gómez, Bao Phi, Kaveh Akbar, Hala Alyan, and Ada Limón, among others, encourage readers to honor their ro...
Driving Without a License
"Janine Joseph writes with an open and easy intimacy. The language here is at once disruptive and familiar, political and sensual, and tinged by the melancholy of loss and the discomforting radiance of redemption. A strong debut." —Chris Abani The best way to hide is in plain sight. In this politically-charged and candid debut, we follow the chronicles of an illegal immigrant speaker over a twenty-year span as she grows up in the foreign and forbidding landscape of America. From "Ivan, Always Hiding": I strained for the socket as you pulled me, my bare legs against your legs in the windowless dark. The room, snuffed out, could have been no larger than a freight car, no smaller than a box v...
Sad Girl Poems
"Christopher Soto (aka Loma) is a queer latin@ punk poet & prison abolitionist. Their first chapbook 'Sad Girl Poems' delves into their relationship with domestic violence, queer youth homelessness, & the suicide of a close friend."--Publisher.
Heart Like a Window, Mouth Like a Cliff
Poetry. California Interest. Latinx Studies. HEART LIKE A WINDOW, MOUTH LIKE A CLIFF is a transgressive, yet surprisingly tender confrontation of what it means to want to flee the thing you need most. The speaker struggles through cultural assimilation and the pressure to "act" Mexican while dreaming of the privileges of whiteness. Borjas holds cultural traditions accountable for the gendered denial of Chicanas to individuate and love deeply without allowing one's love to consume the self. This is nothing new. This is colonization working through relationships within Chicanx families--how we learn love and perform it, how we filter it though alcohol abuse--how ultimately, we oppress the people we love most. This collection simultaneously reveres and destroys nostalgia, slips out of the story after a party where the reader can find God "drunk and dreaming." Think golden oldiez meets the punk attitude of No Doubt. Think pochas sipping gin martinis in lowriders cruising down Who Gives a Fuck Boulevard.
